A World History of ArtLaurence King Publishing, 2005 - 936 sayfa Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments. The insight, elegance and fluency that the authors bring to their text are complemented by 1458 superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression. |
İçindekiler
CHAPTER | 12 |
CHAPTER | 16 |
Ziggurats 46 | 16 |
Ancient Egypt 52 | 16 |
Old Kingdom Sculpture and Painting 59 | 16 |
CHAPTER THREE | 62 |
The Aegean | 65 |
Mycenae and the Mainland | 71 |
The Islamic World 524 | 10-60 |
Mughal Art and Architecture 536 | 10-60 |
China 545 | 31 |
Japan Kamakura to Edo 556 | 48 |
New Beginnings in Rome 568 | 55 |
The Easel Painting in Italy 578 | 55 |
Poussin and Claude 585 | 55 |
Dutch Painting 591 | 55 |
Developments Across the Continents | 80 |
The Discovery of Iron | 82 |
New Kingdom Architecture | 88 |
Assyria and Babylon | 95 |
CHAPTER FOUR | 98 |
Iran | 102 |
The Americas | 109 |
Nok Culture | 115 |
The Greeks and Their Neighbours | 116 |
The Late Classical Period 146 | 121 |
The Male Nude | 121 |
Hallstatt and La Tène 154 | 121 |
CHAPTER FIVE | 121 |
Allegory 173 | 121 |
Roman Architecture 185 | 121 |
The Colosseum and the Invention | 121 |
Late Antique Art 207 | 121 |
Buddhist Art in India 219 | 121 |
Hindu Art in India 230 | 121 |
Buddhist and Hindu Art in Sri Lanka | 121 |
Confucian Daoist and Buddhist Art | 121 |
Tang Dynasty and the Five Dynasties 265 | 121 |
Landscape Painting 272 | 121 |
The Heian Fujiwara and Kamakura | 121 |
Byzantine Art 306 | 121 |
The Classical Tradition 313 | 121 |
Christian Art in Northern Europe 320 | 121 |
The Carolingian Renovatio 326 | 121 |
CHAPTER EIGHT | 121 |
Abbasid Art and Architecture 342 | 121 |
Samanid and Seljuk Architecture 348 | 121 |
PART THREE | 121 |
Romanesque Architecture in Italy 362 | 20 |
Innovations in Romanesque Architecture | 30 |
High Gothic 380 | 30 |
Economics and Theology 387 | 30 |
Italian Gothic 393 | 30 |
The Fifteenth Century | 10-2 |
CHAPTER ELEVEN | 10-43 |
Protestant Art 463 | 10-49 |
Harmony Unity and Raphael 469 | 10-55 |
CHAPTER TWELVE | 10-60 |
The Aztecs 513 | 10-60 |
Still Life and Genre 600 | 55 |
CHAPTER FOURTEEN | 55 |
The Rococo in Germany and Italy 616 | 55 |
English Sense and Sensibility 622 | 55 |
Canova and David 630 | 55 |
CHAPTER EIGHTEEN | 55 |
Romanticism 640 | 55 |
Géricault 646 | 55 |
Blake 652 | 55 |
In which Style should we Build? 662 | 55 |
Millet 669 | 55 |
Photography Comes of Age 681 | 55 |
Painters and Patrons under the Qing | 55 |
Hokusai and Hiroshige 695 | 17-1 |
Monet 704 | 17-10 |
Japonisme 712 | 17-18 |
Rodin 720 | 17-26 |
Domestic Architecture 728 | 17-34 |
Polynesia 736 | 17-42 |
Melanesia and Micronesia 742 | 17-48 |
The Plains and the Arid Lands of North | 17-56 |
TwentiethCentury | 19-1 |
The Fauves and Expressionism 774 | 19-8 |
Marc 781 | 19-21 |
Orphic Cubism 789 | 19-29 |
793 | 19-31 |
America and the Precisionist View 803 | 19-31 |
CHAPTER TWENTY | 19-31 |
European Survivors 840 | 19-31 |
Pop Art 845 | 19-31 |
Conceptual Art 853 | 19-31 |
For Further Reading | 19-31 |
Earth and Land Art 858 | 19-31 |
861 | 19-31 |
Questioning Modernism 872 Picture Credits | 19-31 |
Art as Identity 883 | 19-31 |
PostModern Multiculturalism 888 | 19-31 |
Video and the PostMedium | 19-15 |
Abjection 904 | 19-16 |
Art after PostModernism 914 | 19-16 |
Globalization Sensation | 19-16 |
| 19-16 | |
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
African ancient ancient Egypt animals apse arches architect architecture artists Asia beauty Borobudur bronze Buddha Buddhist buildings built called carved Çatal Hüyük Cathedral central centre century BC Chapel Chauvet cave China Chinese Christ Christian church Classical color columns completely composition contemporary created Cubism cult culture Daoist decorative depicted developed dome dynasty early Egypt Egyptian emperor empire Etruscan Europe European expression feet figures France fresco gold Gothic Greek Hagia Sophia head Hellenistic human ideal images imperial India Iran Islamic Italy Jan van Eyck Japanese king landscape later marble Mesopotamia Michelangelo millennium mosaic Mosque motifs Museum Mycenae nature notably Oil on canvas originally painters painting palace panel Paris period Picasso picture portraits relief religious Renaissance ritual Roman Rome scenes sculpture sometimes space spirit statues stone structure stupa style surviving symbol temple Titian tomb traditional visual arts walls West West Asia women wrote вс
Bu kitaba yapılan referanslar
Cross-cultural Universals of Aesthetic Appreciation in Decorative ..., 1. cilt Marius Machiel Hardonk Metin Parçacığı görünümü - 1999 |
The Art of the Sublime: Principles of Christian Art and Architecture Roger Homan Sınırlı önizleme - 2006 |

