A World History of Art

Ön Kapak
Laurence King Publishing, 2005 - 936 sayfa
Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments. The insight, elegance and fluency that the authors bring to their text are complemented by 1458 superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression.
 

İçindekiler

CHAPTER
12
CHAPTER
16
Ziggurats 46
16
Ancient Egypt 52
16
Old Kingdom Sculpture and Painting 59
16
CHAPTER THREE
62
The Aegean
65
Mycenae and the Mainland
71
The Islamic World 524
10-60
Mughal Art and Architecture 536
10-60
China 545
31
Japan Kamakura to Edo 556
48
New Beginnings in Rome 568
55
The Easel Painting in Italy 578
55
Poussin and Claude 585
55
Dutch Painting 591
55

Developments Across the Continents
80
The Discovery of Iron
82
New Kingdom Architecture
88
Assyria and Babylon
95
CHAPTER FOUR
98
Iran
102
The Americas
109
Nok Culture
115
The Greeks and Their Neighbours
116
The Late Classical Period 146
121
The Male Nude
121
Hallstatt and La Tène 154
121
CHAPTER FIVE
121
Allegory 173
121
Roman Architecture 185
121
The Colosseum and the Invention
121
Late Antique Art 207
121
Buddhist Art in India 219
121
Hindu Art in India 230
121
Buddhist and Hindu Art in Sri Lanka
121
Confucian Daoist and Buddhist Art
121
Tang Dynasty and the Five Dynasties 265
121
Landscape Painting 272
121
The Heian Fujiwara and Kamakura
121
Byzantine Art 306
121
The Classical Tradition 313
121
Christian Art in Northern Europe 320
121
The Carolingian Renovatio 326
121
CHAPTER EIGHT
121
Abbasid Art and Architecture 342
121
Samanid and Seljuk Architecture 348
121
PART THREE
121
Romanesque Architecture in Italy 362
20
Innovations in Romanesque Architecture
30
High Gothic 380
30
Economics and Theology 387
30
Italian Gothic 393
30
The Fifteenth Century
10-2
CHAPTER ELEVEN
10-43
Protestant Art 463
10-49
Harmony Unity and Raphael 469
10-55
CHAPTER TWELVE
10-60
The Aztecs 513
10-60
Still Life and Genre 600
55
CHAPTER FOURTEEN
55
The Rococo in Germany and Italy 616
55
English Sense and Sensibility 622
55
Canova and David 630
55
CHAPTER EIGHTEEN
55
Romanticism 640
55
Géricault 646
55
Blake 652
55
In which Style should we Build? 662
55
Millet 669
55
Photography Comes of Age 681
55
Painters and Patrons under the Qing
55
Hokusai and Hiroshige 695
17-1
Monet 704
17-10
Japonisme 712
17-18
Rodin 720
17-26
Domestic Architecture 728
17-34
Polynesia 736
17-42
Melanesia and Micronesia 742
17-48
The Plains and the Arid Lands of North
17-56
TwentiethCentury
19-1
The Fauves and Expressionism 774
19-8
Marc 781
19-21
Orphic Cubism 789
19-29
793
19-31
America and the Precisionist View 803
19-31
CHAPTER TWENTY
19-31
European Survivors 840
19-31
Pop Art 845
19-31
Conceptual Art 853
19-31
For Further Reading
19-31
Earth and Land Art 858
19-31
861
19-31
Questioning Modernism 872 Picture Credits
19-31
Art as Identity 883
19-31
PostModern Multiculturalism 888
19-31
Video and the PostMedium
19-15
Abjection 904
19-16
Art after PostModernism 914
19-16
Globalization Sensation
19-16
Vase Painting 143
19-16
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