Being and Nothingness: An Essay on Phenomenological Ontology

Ön Kapak
Philosophical Library, 1 Oca 1956 - 638 sayfa
259 Eleştiriler
Often criticized, and all too rarely understood, the philosophy of Jean-Paul Sartre encompasses the dilemmas and aspirations of the individual in contemporary society. The principal text of the modern existentialist movement, Being and Nothingness contains the basic tenets of his thought. A work of inherent power and epic score, it provides a vivid analysis for all who would understand one of the most influential philosophic movements of our time.

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Review: Being and Nothingness

Kullanıcı Değerlendirmesi  - Goodreads

Long winded, obscure, and honestly could have been written into ordinary language. As philosophers from the analytic have proven, you can express very 'profound' philosophical concepts, without ... Tam incelemeyi okuyun

Review: Being and Nothingness

Kullanıcı Değerlendirmesi  - Chant Cowen - Goodreads

Long winded, obscure, and honestly could have been written into ordinary language. As philosophers from the analytic have proven, you can express very 'profound' philosophical concepts, without ... Tam incelemeyi okuyun

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Yazar hakkında (1956)

Sartre is the dominant figure in post-war French intellectual life. A graduate of the prestigious Ecole Normale Superieure with an agregation in philosophy, Sartre has been a major figure on the literary and philosophical scenes since the late 1930s. Widely known as an atheistic proponent of existentialism, he emphasized the priority of existence over preconceived essences and the importance of human freedom. In his first and best novel, Nausea (1938), Sartre contrasted the fluidity of human consciousness with the apparent solidity of external reality and satirized the hypocrisies and pretensions of bourgeois idealism. Sartre's theater is also highly ideological, emphasizing the importance of personal freedom and the commitment of the individual to social and political goals. His first play, The Flies (1943), was produced during the German occupation, despite its underlying message of defiance. One of his most popular plays is the one-act No Exit (1944), in which the traditional theological concept of hell is redefined in existentialist terms. In Red Gloves (Les Mains Sales) (1948), Sartre examines the pragmatic implications of the individual involved in political action through the mechanism of the Communist party and a changing historical situation. His highly readable autobiography, The Words (1964), tells of his childhood in an idealistic bourgeois Protestant family and of his subsequent rejection of his upbringing. Sartre has also made significant contributions to literary criticism in his 10-volume Situations (1947--72) and in works on Baudelaire, Genet, and Flaubert.

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