Stage and Film Décor

according achieve acting action actors appear architect architecture art director attempt audience background blue building called camera ceiling century certain CHAPTER cinema cloth colour complete concerned consists costumes course covered Craig create curtain deal described difference door drawings dressings effect element Elizabethan England essential exist expression fact feel film flats floor frequently further give Greek green idea illustrates important indicated instance Irving Italy knowledge known Laurence light LONDON materials means methods mind movement Museum necessary objects Oliver Messel opening painted painter period person perspective photographic picture PLATE play possible practical present production proscenium reason remains Rembrandt result scale scene scenery screen sense shape side stage studio technique theatre theatrical theory things tone unit various Vincent Korda wall whole