A Return to Aesthetics: Autonomy, Indifference, and Postmodernism

Ön Kapak
Stanford University Press, 2005 - 289 sayfa
A Return to Aesthetics confronts postmodernism's rejection of aesthetics by showing that this critique rests on central concepts of classical aesthetic theory, namely autonomous form, disinterest, and symbolic discourse. The author argues for the value of these concepts by recovering them through a historical reinterpretation of their meaning prior to their distortion by twentieth-century formalism. Loesberg then applies these concepts to a discussion of two of the most significant critics of the ideology of Enlightenment, Foucault and Bourdieu. He argues that understanding the role of aesthetics in the postmodern critique of Enlightenment will get us out of the intellectual impasse wherein numbingly repeated attacks upon postmodernism as self-contradictory match numbingly repeated defenses. Construing postmodern critiques as examples of aesthetic reseeing gives us a new understanding of the postmodern critique of the Enlightenment.

 

İçindekiler

Introduction
1
Aesthetics and the Argument from Design
14
Indifferent Embodiment
74
Foucaults Aesthetics
145
Bourdieus Aesthetics
197

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Yazar hakkında (2005)

Jonathan Loesberg is Professor of Literature at American University. He is the author of two previous books: Fictions of Consciousness: Mill, Newman, and the Reading of Victorian Prose (1986) and Aestheticism and Deconstruction: Pater, Derrida, and De Man (1991).

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