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able accept achievement actual appears artificial artist attempt become believe called century circumstances Cleopatra communicate compelled completely conception condition course creative critic crystallization danger definition describe effect element Elizabethan emotion English essential example experience expression fact feeling genius give given grand greatest hand idiosyncrasy imagine incident individual instance kind language least less lines literary literature living look mean merely metaphor method Milton mind mode of experience natural necessary needs never novel object once original particular passage perceptions perfect perhaps phrase play plot poem poet poetic poetry positive possible precise present problem produce prose reader reason reference rhythm seems sense sensuous Shakespeare significance simple social style suggestion symbol taste thing thought tion true trying universe verse vital whole word writer
Sayfa 36 - Give me my robe, put on my crown ; I have Immortal longings in me : now no more The juice of Egypt's grape shall moist this lip : Yare, yare, good Iras ; quick.
Sayfa 13 - My desolation does begin to make A better life : Tis paltry to be Caesar; Not being fortune, he's but fortune's knave, A minister of her will ; And it is great To do that thing that ends all other deeds ; Which shackles accidents, and bolts up change; Which sleeps, and never palates more the dung, The beggar's nurse and Caesar's.
Sayfa 84 - Be not afeard ; the isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears ; and sometime voices, That, if I then had wak'd after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me ; that, when I wak'd, I cried to dream again.
Sayfa 119 - Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-siz'd monster of ingratitudes. Those scraps are good deeds past, which are devour'd As fast as they are made, forgot as soon As done.
Sayfa 58 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Sayfa 28 - For our continued influxes of feeling are modified and directed by our thoughts, which are indeed the representatives of all our past feelings; and as by contemplating the relation of these general representatives to each other, we discover what is really important to men, so by the repetition and continuance of this act...
Sayfa 106 - The old man still stood talking by my side ; But now his voice to me was like a stream Scarce heard ; nor word from word could I divide ; And the whole body of the man did seem Like one whom I had met with in a dream; Or like a man from some far region sent, To give me human strength by apt admonishment.
Sayfa 37 - With thy sharp teeth this knot intrinsicate Of life at once untie; poor venomous fool, Be angry, and dispatch.
Sayfa 121 - Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Sayfa 36 - I am fire, and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell. [Kisses them. IRAS falls and dies. Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, The stroke of death is as a lover's pinch, Which hurts, and is desir'd.