Writing Beyond the Ending: Narrative Strategies of Twentieth-century Women Writers

alternative artist becomes begins break called chapter character child choice collective complete consciousness conventional created critical critique cultural death desire discusses dominant essay experience express fact feel female feminine feminist fiction figure final force gender given gives Golden Notebook Helen hero heterosexual human identity ideology individual Jane kind language lesbian Lessing letter Literature lives London major male marriage Marxism Mary material meaning mother muted myth narrative nature never novel occurs offers once plot poem poet political possible present Press protagonist quest question reader reading rejected relations represented resolution Rich Richardson romance sense sequence sexual shows social society spiritual story structures suggests takes term things thralldom tion turn University values Virginia Woolf vision vocation voice whole woman women Woolf writing York