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word of Cæsar was law, and Laberius, driven out of all his defences, was obliged to submit and comply. Cæsar makes a grand spectacle for all Rome; bills are given out for a play of Laberius, and the principal part is announced to be performed by the author himself: the theatre is thronged with spectators; all Rome is present, and Decimus Laberius presents himself on the stage, and addressed the audience in the following prologue:

PROLOGUE BY DECIMUS LABERIUS.

O strong Necessity! of whose swift course
So many feel, so few escape the force,
Whither, ah! whither, in thy prone career,
Hast thou decreed this dying framne to bear?
Me in my beller days nor foe, nor friend,
Nor threat, nor bribe, nor vanily, cou'd bend;
Now lur'd by flallery in my weaker age,
1 sink my knighthood and ascend the stage.
Yel muse not therefore-How shall man gainsa
Him, whom the Deities themselves obey ?
Sixty long years I've liv'd without disgrace
A Roman knight; fet dignity give place!
I'm Cæsar's actor now, and compass more
In one short hour, than all my life before.

• O Forlune! fickle source of good and ill,
If here to place me 'twas thy sovereign will,
Why, when I'd youth and faculties to please
So great a master and such guesls as these,
Why not compel me then, malicious power!
To the hard task of this degrading hour?
Where now, in what profound abyss of shame,
Dost thou conspire with Fate to sink my pame?
Whence are my hopes? What voice can age supply
To charm the ear; what grace to please the eye?
Where is the action, energy,
The look, that guides its passion to the beart?
Age creeps like ivy o'er my wither'd trunk,
Its bloom all blasted, and ils vigour shruuk :
A tomb, where nothing but a name remains
To tell the world whose ashes it contains.'

and art,

The original is so superiorly beautiful, that to prevent a pathos I shall insert it after the translation.

Necessitas, cujus cursus transversi impetum
Voluerunt multi effugere, pauci potuerunt,
Quo me detrusit pæne extremis sensibus?
Quem nulla ambitio, nulla unquam largitio,
Nullus timor, vis nulla, nulla auctoritas
Movere potuit in juventa de statu;
Ecce in senecta ut facile labefecit loco
Viri crcellentis mente clemente edita
Submissa placidè blandiloquens oratio!
Etenim ipsi Dii negare cui nihil potuerunt,
Hominem me denegare quis possit pati?
Ergo bis tricenis annis actis sine nota
Eques Romanus lare egressus meo
Domum revertas mimus: Nimirum hoc die
Uno plus viri mihi quam vivendum fuit.
Fortuna, immoderata in bono æque atque in malo,
Si tibi erat libitum literarum laudibus
Floris cacumen nostræ fame frangere,
Cur cum vigebam membris præviridantibus,
Satisfacere populo et tali cum poteram viro,
Non flexibilem me concurvasti ut carperes?
Nunc me quo dejicis? quid ad scenam affero?
Decorem forma, an dignitatem corporis,
Animi virtutem, an vocis jucundæ sonum ?
Ut hedera serpens vires arboreus necat,
Ita me vetustas amplexa annorum enecat:
Sepulchri similis nihil nisi nomen retines.

The play which this pathetic prologue was attached to was a comedy, in which Laberius took the character of a slave, and in the course of the plot (as usual) was beaten by his master : in this condition, having marked his habit with counterfeited stripes, he runs upon the stage, and cries out amain-Porro, Quirites! libertatem perdimus—In good faith, countrymen, there is an end of freedom.' The indignant spectators sent up a shout; it was, in the language of our present playhouse bills, a burst of applause; a most violent burst of applause from a most crowded and brilliant house, overflowing in all parts. Laberius, not yet content with this atonement to the manes of his knighthood, subjoins the following pointed allusion: Necesse est multos timeat, quem multi timent • The man whom many fear, must needs fear many.' All eyes were now turned upon Cæsar, and the degraded Laberius enjoyed a full revenge.

We may naturally suppose this conduct lost him the favour of Cæsar, who immediately took up Publius Syrus, a Syrian slave, who had been manumitted for his ingenious talents, and was acting in the country theatres with much applause: Cæsar fetched him out of his obscurity, as we bring up an actress from Bath or York, and pitted him against Laberius. It was the triumph of youth and vigour over age and decay, and Cæsar, with malicious civility, said to Laberius, Favente tibi me victus es, Laberi, a Syro—' You are_s'ırpassed by Syrus in spite of my support.' As Laberius was going out of the theatre, he was met by Syrus, who was inconsiderate enough to let an expression escape him, which was very disrespectful to his veteran competitor: Laberius felt the unbecoming insult, and turning to Syrus, gave him this extemporary an

swer

"To sland the first is not the lot of all;
'Tis now your turn to mount, aud mine to fall:
”T'is slippery ground; beware you keep your feet;
For public favour is a public clieat.'

Non possunt primi esse omnes omni in tempore;
Summum ad gradum cum claritatis veneris,
Consistes ægre; et quam descendas, decides :
Cecidi ego : Cadet qui sequitur. Laus est publica.'

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I need not remind the learned reader in what credit the sayings of this Publius Syrus have been justly held by all the literati from Seneca to Scaliger, who turned them into Greek; and it is for the honour of the fraternity of the stage, that both he and Sophron, whose moral sentences were found under Plato's pillow when he died, were actors by profession.

I shall now only add, that my newspaper contains a very interesting description of two young actors, Hylas and Pylades, who became great favourites with Augustus, when he was emperor, and made their first appearance at the time this journal was written. If the reader shall find

any

allusion to two very promising young performers, now living, whose initials correspond with the above, I can promise him that our contemporaries will not suffer by the comparison. I may venture to say, in the words of Dr. Young

The Roman wou'd not blush at the mistake.

1

NUMBER LIII.

There is no period of ancient history would afford a more useful study to a young prince, than an accurate delineation of the whole life of Tiberius. This ought to be done with great care and ability, for it is a character extremely difficult to develope, and one that by a continued chain of incidents furnishes a lesson in every link of its connexions, highly interesting to all pupils, but most to those who are on the road to empire. To trace the conduct of Tiberius from his first appearance in history to his death, is as if we should begin with the last acts of Augustus, and read his story backwards to its commencement in the civil wars; each narration would then begin with honour and conclude with infamy. If Augustus had never attained to empire, he would have had a most disgraceful page in history; on the other hand, had Tiberius died with Germanicus, he would have merited a very glorious one: It should seem therefore that he was by nature a better man than his predecessor. The cautious timid character of Augustus kept him under constant awe of those he governed, and he was diligent to secure to himself the opinions of mankind; but there are rents and fissures enough in the veil, which adulation has thrown' over him, through which to spy out the impurities and meannesses of his natural disposition. Tiberius seems on his part also to have had a jealous holding and respect towards Germanicus, which had an influence over the early part of his reign; but it was a self-restraint founded in emulation, not in fear. It is hinted that Augustus had in mind to restore the commonwealth, and give back her liberties to Rome; and these may very possibly have been his meditations; but they never arose in his mind till he found his life in the last stage of decay, when, having no heir of his own body, he would willingly have had the empire cease with him, and left posterity to draw the conclusion, that no successor could be found fit to take it after him; this I can readily believe he would have done in his last moments if he could, and even before his last moments if he dared; but the shock, which such a revolution might possibly have occasioned, alarmed his fears, and he was too tenacious of power to quit it upon any other motives than those of absolute conviction that he could hold it no longer. This is so much

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