Contributions to the Literature of the Fine Arts, 1. ciltJ. Murray, 1870 - 401 sayfa On spine: First series. |
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48 sonuçtan 1-5 arası sonuçlar
Sayfa 11
... . Could the imitation of living objects , for example , in Painting or Sculpture , be carried to absolute deception as regards their mere surface , we should only be reminded that life and motion were SPECIFIC STYLE . Π.
... . Could the imitation of living objects , for example , in Painting or Sculpture , be carried to absolute deception as regards their mere surface , we should only be reminded that life and motion were SPECIFIC STYLE . Π.
Sayfa 47
... surface of the paintings being highly varnished . The fittest kinds of paint- ing , for the decoration of architecture , are those which can be applied , when required , to every surface , curved as well as plane , and for such general ...
... surface of the paintings being highly varnished . The fittest kinds of paint- ing , for the decoration of architecture , are those which can be applied , when required , to every surface , curved as well as plane , and for such general ...
Sayfa 50
... , the cupola of S. Rocco at Venice , see Boschini , La Carta del Navegar Pittoresco , Ven . 1660 , pp . 90–94 . Notes on Du Fresnoy , Note LV . than in oil , looking to the quantity of surface 50 STATE AND PROSPECTS OF.
... , the cupola of S. Rocco at Venice , see Boschini , La Carta del Navegar Pittoresco , Ven . 1660 , pp . 90–94 . Notes on Du Fresnoy , Note LV . than in oil , looking to the quantity of surface 50 STATE AND PROSPECTS OF.
Sayfa 51
Sir Charles Lock Eastlake. than in oil , looking to the quantity of surface covered . In his case it is evident that even the comparative absence of depth and mass of shade in fresco had no unfavourable influence on his practice as an ...
Sir Charles Lock Eastlake. than in oil , looking to the quantity of surface covered . In his case it is evident that even the comparative absence of depth and mass of shade in fresco had no unfavourable influence on his practice as an ...
Sayfa 63
... surface of life , either alone , or with drapery that indicates the form or adorns it , was with the Greek sculptors the chief object of imitation . As in considering the claims of painting it is de- sirable to keep the highest style in ...
... surface of life , either alone , or with drapery that indicates the form or adorns it , was with the Greek sculptors the chief object of imitation . As in considering the claims of painting it is de- sirable to keep the highest style in ...
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Sık kullanılan terimler ve kelime öbekleri
alluded ancient antique appears architecture Aristotle artists attributes basso-rilievo beauty Cartoons ceiling character characteristic chiaroscuro chiefly church circumstances colour compared composition considered Correggio decoration dimensions distance distinct drapery effect employed English examples executed Fcap figures Florence foreshortening fresco Giorgione Giovanni Santi Giulio Romano gradation Greek History hues human Illustrations imitation impression indistinctness influence instance Italian Leon Battista Alberti Leonardo Leonardo da Vinci less letter light and shade Lord Luca Signorelli Madonna marble Masaccio masters means ment Michael Angelo modern nature objects observed painters painting Passavant perhaps Perugia Perugino Pietro Portrait Post 8vo present principle qualities question Raphael reference regard relief remarkable representation represented require rilievi Rome sculpture Second Edition seen shadows sometimes specimens spectator statues style subjects supposed surface tapestries taste Third Edition Timoteo Viti tion Titian translation treatment Urbino variety Vasari Vatican Venetian Vols Woodcuts writers
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