Kullanıcılar ne diyor? - Eleştiri yazın
Her zamanki yerlerde hiçbir eleştiri bulamadık.
Diğer baskılar - Tümünü görüntüle
according adopted alluded ancient appears applicable architecture artists attention attributes beauty called century character characteristic church circumstances colour compared complete composition considerable considered decoration designs direct distance distinct early Edition effect employed English especially evident examples excellence executed exist expression fact figures Florence fresco give Greek ground hand History human Illustrations imitation important impression influence instance interest Italian Italy kind less letter light living Lord manner masters material means Michael mind nature necessary Notes objects observed original painters painting perhaps period Portrait Post 8vo practice present principle produce qualities question Raphael reference regard relation remarkable representation represented require respect result Rome sculpture Second seems seen selected shade sometimes statues style subjects sufficient supposed surface taste tion translation treatment Urbino variety various Vasari Vols walls Woodcuts
Sayfa 398 - And as Jesus passed by, He saw a man which was blind from his birth. And His disciples asked Him, saying, "Master, who did sin, this man, or his parents, that he was born blind?" Jesus answered, "Neither hath this man sinned, nor his parents: but that the works of God should be made manifest in him.
Sayfa 59 - He cannot make his hero talk like a great man ; he must make him look like one. For which reason, he ought to be well studied in the analysis of those circumstances which constitute dignity of appearance in real life.
Sayfa 58 - A Painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint he represents, though he lets us know, at the same time, that the saint was deformed, or the hero lame.
Sayfa 9 - Life and Times of Titian, with some Account of his Family, chiefly from new and unpublished records. With Portrait and Illustrations. 2 vols. 8vo. 42s. CUMMING (R. GORDON). Five Years of a Hunter's Life in the Far Interior of South Africa.
Sayfa 252 - Amico, hai vinto: io ti perdon... perdona tu ancora, al corpo no, che nulla pavé, a l'alma si; deh! per lei prega, e dona battesmo a me ch'ogni mia colpa lave.
Sayfa 11 - ENGEL'S (CARL) Music of the Most Ancient Nations ; particularly of the Assyrians, Egyptians, And Hebrews ; with Special Reference to the Discoveries in Western Asia and in Egypt.
Sayfa 21 - History of Rome. From the Earliest Times to the Establishment of the Empire. With the History of Literature and Art.
Sayfa 4 - BISSET'S (ANDREW) History of the Commonwealth Of England, from the Death of Charles I. to the Expulsion of the Long Parliament by Cromwell. Chiefly from the MSS. in the State Paper Office. 2 vols. 8vo. 30».
Sayfa 124 - They are among the best specimens of that mixed style or union of basso-rilievo with the principles of painting which the sculptors of the fifteenth century and their imitators imagined to be an improvement on the well-considered simplicity of the ancients. In these and similar specimens the unreal forms of perspective buildings and...