Contributions to the Literature of the Fine Arts, 1. cilt

adopted alluded alto-rilievo ancient antique appears applicable architecture Aristotle artists attributes basso-rilievo beauty Capella Sistina Cartoons ceiling celebrated character characteristic chiaroscuro chiefly Christ church circumstances colour compared composition considered Correggio dark decoration degree dimensions distance distinctness drapery effect employed examples excellence executed expression figures Florence foreshortening fresco Giorgione Giovanni Santi Giulio Romano gradation Greek hues human imitation impression indistinctness influence instance Italian kind latter Leon Battista Alberti Leonardo Leonardo da Vinci less light and shade Luca Signorelli Madonna marble Masaccio masters means ment Michael Angelo modern modes nature objects observed ornament painters painting Passavant perhaps Perugia Perugino Pietro Pittura portraits present principle qualities question Raphael reference regard relief remarkable representation represented require rilievi Rome sculpture seen shadows sometimes specimens spectator statues style subjects supposed surface tapestries taste Timoteo Viti tion Titian treatment Urbino variety Vasari Vatican Venetian walls writers