THE LOVES OF THE POETS.

CHAPTER I.

A POET'S LOVE.

Io ti cinsi de gloria, e fatta ho dea !—GUIDI.

Of all the heaven-bestowed privileges of the poet, the highest, the dearest, the most enviable, is the power of immortalising the object of his love; of dividing with her his amaranthine wreath of glory, and repaying the inspiration caught from her eyes with a crown of everlasting fame. It is not enough that in his imagination he has deified her that he has consecrated his faculties VOL. I.

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to her honour--that he has burned his heart in

incense upon the altar of her perfections: the divinity thus decked out in richest and loveliest hues, he places on high, and calls upon all ages and all nations to bow down before her, and all ages and all nations obey! worshipping the beauty thus enshrined in imperishable verse, when others, perhaps as fair, and not less worthy, have gone down, unsung, "to dust and an endless darkness." How many women who would otherwise have stolen through the shades of domestic life, their charms, virtues, and affections buried with them, have become objects of eternal interest and admiration, because their memory is linked with the brightest monuments of human genius? While many a high-born dame, who once moved, goddess-like, upon the earth, and bestowed kingdoms with her hand, lives a mere name in some musty chronicle. Though her love was sought by princes, though with her dower she might have enriched an emperor, what availed it?

"She had no poet-and she died !"

And how have women repaid this gift of immortality? O believe it, when the garland was such as woman is proud to wear, she amply and deeply rewarded him who placed it on her brow. If in return for being made illustrious, she made her lover happy,-if for glory she gave a heart, was it not a rich equivalent? and if not-if the lover was unsuccessful, still the poet had his reward. Whence came the generous feelings, the high imaginations, the glorious fancies, the heavenward inspirations, which raised him above the herd of vulgar men-but from the ennobling influence of her he loved? Through her, the world opened upon him with a diviner beauty, and all nature became in his sight but a transcript of the charms of his mistress. He saw her eyes in the stars of heaven, her lips in the half-blown rose. The perfume of the opening flowers was but her breath, that "wafted sweetness round about the world:" the lily was a sweet

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thief" that had stolen its purity from her breast. The violet was dipped in the azure of her veins; the aurorean dews, "dropt from the opening

eyelids of the morn," were not so pure as her tears; the last rose-tint of the dying day was not so bright or so delicate as her cheek. Her's was the freshness and the bloom of the Spring; she consumed him to languor as the Summer sun; she was kind as the bounteous Autumn, or she froze him with her wintry disdain. There was nothing in the wonders, the splendours, or the treasures of the created universe,-in heaven or in earth,-in the seasons or their change, that did not borrow from her some charm, some glory beyond its own. Was it not just that the beauty she dispensed should be consecrated to her adornment, and that the inspiration she bestowed should be repaid to her in fame?

-For what of thee thy poet doth invent,
He robs thee of, and pays it thee again.
He lends thee virtue, and he stole that word
From thy behaviour; beauty doth he give,
But found it in thy cheek; he can afford
No praise to thee but what in thee doth live.

Then thank him not for that which he doth say,
Since what he owes thee, thou thyself dost pay!

SHAKSPEARE'S SONNETS.