Theater Three, 8. sayı

Abbie Hoffman acting actors aesthetic American artists audience Balagan Balaganchik Bauhaus become Berg Berg's Berlin Blok Blok's Brecht Carlson characters classical Countess Geschwitz Crawford create critical dance death director Downey Downey's dramatic Earth Spirit ELDER PYPER emotional Empedocles essay Evelyn Lear experience feel film forces Frieda German Ghetto Heiner Müller human Ibid Irondale Irondale's Jews Joshua Sobol KALB Kevin Kline La Jolla Playhouse LeFevre Lulu plays Lulu's Marxist McGuinness meaning ment Meyerhold modern modernist movement MÜLLER myth neutral masks Optimistic Tragedy Pandora's Box Patti LuPone performance Pierrot Playhouse playwright poem political production Protestant reality Ripper role Roulston Saint-Denis San Francisco Opera scene Scheper Schigolch Schlemmer's Schön semiotic sexual SHTEIR simulates SOBOL social Sons Of Ulster stage story symbol Theater Three theatrical thing tion tragic Triadic Ballet tribal Triptych Ulster ur-text Vilna ghetto Wedekind's write YOUNGER PYPER