Literary leaves, or, Prose and verse: chiefly written in India, 1-2. ciltlerW. H. Allen & Company, 1840 |
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97 sonuçtan 1-5 arası sonuçlar
Sayfa
... A MORE IMPATIENT AND IRREPRESSIBLE AFFECTION . BELIEVE ME TO REMAIN , WITH THE UTMOST RESPECT AND GRATITUDE , COSSIPORE , JANUARY , 1840 . YOUR FRIEND AND NEPHEW , D. L. RICHARDSON . PREFACE . I PUBLISHED the first edition of this work.
... A MORE IMPATIENT AND IRREPRESSIBLE AFFECTION . BELIEVE ME TO REMAIN , WITH THE UTMOST RESPECT AND GRATITUDE , COSSIPORE , JANUARY , 1840 . YOUR FRIEND AND NEPHEW , D. L. RICHARDSON . PREFACE . I PUBLISHED the first edition of this work.
Sayfa 9
... respects resembles , though it far exceeds , that which is excited by a celebrated person's autograph . But though a great author's manuscript may be highly interesting , it is of course in every sense less precious than a noble ...
... respects resembles , though it far exceeds , that which is excited by a celebrated person's autograph . But though a great author's manuscript may be highly interesting , it is of course in every sense less precious than a noble ...
Sayfa 12
... respect- ing which he is in reality indifferent . As in society he acts an uncongenial part , he is awkward and restrained , and cannot be expected to exhibit the same ease and vivacity as those who riot in their own proper element ...
... respect- ing which he is in reality indifferent . As in society he acts an uncongenial part , he is awkward and restrained , and cannot be expected to exhibit the same ease and vivacity as those who riot in their own proper element ...
Sayfa 53
... respects ex- ceptions , and they have been censured for very opposite faults . But extremes meet . The style of both of these poets is occa- sionally as diffuse , tumid and gorgeous , as at other times it is simple and bare . No one can ...
... respects ex- ceptions , and they have been censured for very opposite faults . But extremes meet . The style of both of these poets is occa- sionally as diffuse , tumid and gorgeous , as at other times it is simple and bare . No one can ...
Sayfa 54
... respect to the public , and an anxious and judicious regard to their own fame , have lately deserted their classical models , and have fallen into the vices of the new school . The " Theodric " of the one , and the " Italy " of the ...
... respect to the public , and an anxious and judicious regard to their own fame , have lately deserted their classical models , and have fallen into the vices of the new school . The " Theodric " of the one , and the " Italy " of the ...
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Sık kullanılan terimler ve kelime öbekleri
admiration alluded amongst Anna Seward Atossa beauty Ben Jonson blank verse Bolingbroke breath bright Byron character Charlotte Smith charm cheerful Clearchus clouds cold conversation critics dear death delightful dreams Drummond Dryden Duchess of Marlborough egotism egotist external fair fame fancy feeling friendship genius glory happy hath heart Horace Walpole human imagination intellectual John Chalkhill Johnson Leigh Hunt less letters light lines literary look Lord Lord Bolingbroke Lord Byron mankind memory merit Milton mind Montaigne mortal Muse nature never o'er object observed Othello passage passion perhaps Petrarch physiognomy pleasure poem poet poet's poetical poetry Pope Pope's praise prose reader remarks rhyme says scene seems Shakespeare smile sonnets soul sound speak spirit stanza strange style sweet taste tender thee thine thing thou thought tion truth verse words Wordsworth writer
Popüler pasajlar
Sayfa 130 - Of those fierce darts despair at me doth throw; 0 make in me those civil wars to cease; 1 will good tribute pay, if thou do so. Take thou of me smooth pillows, sweetest bed, A chamber deaf to noise...
Sayfa 127 - Whoever thinks a faultless piece to see, Thinks what ne'er was, nor is, nor e'er shall be, In every work regard the writer's end, Since none can compass more than they intend; And if the means be just, the conduct true, Applause, in spite of trivial faults, is due.
Sayfa 267 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Sayfa 342 - IX. 0 how canst thou renounce the boundless store Of charms which Nature to her votary yields! The warbling woodland, the resounding shore, The pomp of groves, and garniture of fields; All that the genial ray of morning gilds, And all that echoes to the song of even, All that the mountain's sheltering bosom shields, And all the dread magnificence of heaven, O how canst thou renounce, and hope to be forgiven ! X.
Sayfa 16 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Sayfa 95 - Less than a god they thought there could not dwell Within the hollow of that shell That spoke so sweetly and so well. What passion cannot Music raise and quell!
Sayfa 12 - ... this line, remember not The hand that writ it; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe. O, if, I say, you look upon this verse When I perhaps compounded am with clay, Do not so much as my poor name rehearse, But let your love even with my life decay, Lest the wise world should look into your moan And mock you with me after I am gone.
Sayfa 13 - Saturn laugh'd and leap'd with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell...
Sayfa 193 - Where virtue is, these are more virtuous ; Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt ; For she had eyes, and chose me. No, lago ; I'll see before I doubt ; when I doubt, prove: And on the proof, there is no more but this, — Away at once with love or jealousy ! lago.
Sayfa 89 - Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar...