Nineteenth-Century Theories of Art

Ön Kapak
University of California Press, 1987 - 563 sayfa
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
 

Seçilmiş sayfalar

İçindekiler

BEAUTY AND THE LANGUAGE OF FORM
5
ART AND THE COMMUNITY OF SOULS
121
FRANÇOIS RENÉ VICOMTE DE CHATEAUBRIAND
153
FRIEDRICH OVERBECK Diaries and Letters 1811 1814
162
ADOLPHE THIERS On Naïveté in the Arts 1822
170
A F RIO The Poetry of Christian Art 1836
195
ÉTIENNEJEAN DELÉCLUZE The Beards of 1800
206
CHARLES BAUDELAIRE What Is Romanticism? 1846
220
CARL G Carus Nine Letters on Landscape Painting
270
JOHN RUSKIN Preface to the Second Edition
286
JOHN CONSTABLE Letters and Notes on Painting
297
BENJAMIN ROBERT HAYDON and WILLIAM HAZLITT
310
ART AND SOCIETY
351
AN ART OF PURE VISION
411
ART AS CREATION
487
JAMES MCNEILL WHISTLER Mr Whistlers Ten
502

EUGÈNE DELACROIX Journals 18241847
236
PIERREHENRI DE VALENCIENNES Advice to a Student
246
PHILIPP OTTO RUNGE Letter to Daniel Runge 1802
260
CHARLES HENRY The Chromatic Circle 1888
530
List of Illustrations and Credits
549
Telif Hakkı

Diğer baskılar - Tümünü görüntüle

Nineteenth-century Theories of Art
Joshua Charles Taylor
Sınırlı önizleme - 1987
Nineteenth-Century Theories of Art
Joshua C. Taylor
Sınırlı önizleme - 1987

Sık kullanılan terimler ve kelime öbekleri

admire aesthetic ancient antique appear artist beauty become blot blue called Camille Pissarro century character chiaroscuro Christian Claude Lorrain color colorist composition concept contrast Courbet critics Delacroix drawing Édouard Manet effect Émile Zola Eugène Delacroix execution exhibition exist expression feeling figures French genius Georges Seurat give Greek Gustave Courbet harmony human ideal ideas imagination imitation impression Ingres invention Jean-Auguste-Dominique Ingres Jean-François Millet kind landscape less light look macchia manner matter means Michelangelo Minardi mind modern moral nature Neoimpressionism never objects observation oil on canvas orange painter painting Paris Paul Veronese perception perfection Phidias Philipp Otto Runge picture picturesque pleasure poet poetry portrait principles produced qualities Raphael Rome Salon sculpture sense sentiment soul spirit style sublime taste theory things thought tion Titian tone translated true truth understand visual word yellow

Yazar hakkında (1987)

Joshua C. Taylor was Professor of Art History at the University of Chicago and Director of the National Museum of American Art from 1970 until his death in 1981. James L. Yarnall, formerly of the National Museum of American Art, prepared and edited the manuscript for publication.

Kaynakça bilgileri

BaşlıkNineteenth-Century Theories of Art
24. sayı/California Studies in the History of Art, ISSN 0068-5909
YazarJoshua C. Taylor
EditörJoshua C. Taylor
DerleyenJoshua C. Taylor
Baskıresimli, yeni baskı
YayıncıUniversity of California Press, 1987
ISBN0520048881, 9780520048881
Uzunluk563 sayfa
  
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