Unwritten RomeUniversity of Exeter Press, 2008 - 366 sayfa In Unwritten Rome, a new book by the author of Myths of Rome, T.P. Wiseman presents us with an imaginative and appealing picture of the early society of pre-literary Rome-as a free and uninhibited world in which the arts and popular entertainments flourished. This original angle allows the voice of the Roman people to be retrieved empathetically from contemporary artefacts and figured monuments, and from selected passages of later literature.How do you understand a society that didn't write down its own history? That is the problem with early Rome, from the Bronze Age down to the conquest of Italy around 300 BC. The texts we have to use were all written centuries later, and their view of early Rome is impossibly anachronistic. But some possibly authentic evidence may survive, if we can only tease it out - like the old story of a Roman king acting as a magician, or the traditional custom that may originate in the practice of ritual prostitution. This book consists of eighteen attempts to find such ma |
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Sayfa 207
... plays on these subjects , is confirmed in the case of the foundation story by Naevius ' known play ( or plays ) on Romulus ; 21 but all we need to insist on is a weaker inference , that these were the sort of historical stories that plays ...
... plays on these subjects , is confirmed in the case of the foundation story by Naevius ' known play ( or plays ) on Romulus ; 21 but all we need to insist on is a weaker inference , that these were the sort of historical stories that plays ...
Sayfa 214
... play Menedemos , and both Vitruvius and Horace clearly imply that satyr - play was a familiar part of the Roman theatrical experience in the first century BC ; indeed , Q. Cicero evidently produced Sophocles ' satyr - play ' The ...
... play Menedemos , and both Vitruvius and Horace clearly imply that satyr - play was a familiar part of the Roman theatrical experience in the first century BC ; indeed , Q. Cicero evidently produced Sophocles ' satyr - play ' The ...
Sayfa 217
... play ? 4 . Pomona and Vertumnus ( Met . 14.622-94 , 765-71 ) : from a satyr- play ? +7 5. Priapus and Lotis ( Fasti 1.391–440 ) : from a mime ? +8 6. Faunus , Hercules and Omphale ( Fasti 2.303-56 ) : from a satyr - play ? +9 7. Jupiter ...
... play ? 4 . Pomona and Vertumnus ( Met . 14.622-94 , 765-71 ) : from a satyr- play ? +7 5. Priapus and Lotis ( Fasti 1.391–440 ) : from a mime ? +8 6. Faunus , Hercules and Omphale ( Fasti 2.303-56 ) : from a satyr - play ? +9 7. Jupiter ...
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Unwritten Rome | 1 |
What Can Livy Tell Us? | 24 |
Fauns Prophets and Ennius Annales | 39 |
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aediles Aeneas Aeneid ancient Apollo Augustine City Augustus Aulus Gellius Battaglia and Emiliozzi Brutus Carandini Cardauns century BC Ceres Cicero cista City of God Coarelli consul consulship cult Dio Cassius Dionysius of Halicarnassus divine drama Ennius evidence Fabius fabulae Faunus festival Festus Paulus FGrH Flora Fortuna fourth century goddess gods Greek Hercules Hist historians honour Horace infer inscription Jupiter king Latin Liber Liberalia lingua Latina literary Livy Livy's Lupercalia Luperci Marcus Marsyas mime Moralia Naevius narrative nymphs Origo gentis Romanae Ovid Fasti play plebeian Pliny Nat Plutarch Plutarch Publicola Plutarch Romulus poets Polybius praetexta quae quod Republic ritual Roman Rome Romulus Sacra satyr scene Servius on Aeneid sources story Suetonius Tarquinius Tarquins temple third century tradition tragedy Valerius Maximus Varro Varro Antiquitates Varro De lingua Venus Villa Giulia Villa Giulia Museum Virgil Aeneid Wiseman δὲ καὶ τὴν τῆς τὸ τοῖς τῶν