'All the World's a Stage': Dramatic Sensibility in Mary Shelley's NovelsRoutledge, 16 Ara 2013 - 224 sayfa This book examines the often tragic and nearly always disabling metaphor of thetheatrum mundi, world-as-stage, as it plays itself out in the characters of Mary Shelley's novels. |
İçindekiler
Frankenstein Storytelling as Dramatic Performance | 35 |
Mathilda Life as Theatrical Production | 61 |
The Last Man Autobiography as Drama | 85 |
Valperga Theatrical Plots and Dramatic Intrigue | 109 |
Perkin Warbeck Problematic Roles and Identities | 131 |
Lodore Public Spectacle and Private Lives | 151 |
Falkner The Illusion of Romance | 167 |
Conclusion | 181 |
205 | |
Diğer baskılar - Tümünü görüntüle
'All the World's a Stage': Dramatic Sensibility in Mary Shelley's Novels Charlene Bunnell Sınırlı önizleme - 2013 |
"All the World's a Stage": Dramatic Sensibility in Mary Shelley's Novels Charlene E. Bunnell Sınırlı önizleme - 2002 |
Sık kullanılan terimler ve kelime öbekleri
action actor appeared assumes attempt audience Beatrice become believed Castruccio characters cited in text conventions Cornelia create creature critics daughter death demonstrates depict describes desire Despite direct domestic drama dream effect Elizabeth England English Ethel Euthanasia existence experience Falkner fate father feel fiction figure finds Frankenstein Gothic heart hereafter cited hero heroine hope human illusion imagination Italy Journals Katherine Lady language Last later letter Lionel literary lives Lodore London Mary Shelley Mathilda metaphor mother narrative narrator nature never notes novel observer once passion perceive performance perhaps Perkin Warbeck play political present Raymond reality reason recognizes record refers reflects result reveals Richard role Romantic scene sensibility setting Shelley's social stage story subjectivity suggests tale tells theater theatrical thought tragedy tragic University Press Valperga Victor Walton writes York young