Gothic Bodies: The Politics of Pain in Romantic FictionUniversity of Pennsylvania Press, 1994 - 181 sayfa An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject. |
İçindekiler
Imagining Pain | 30 |
Politics and the Romantic Theatre | 59 |
Intermezzo | 92 |
Aesthetics and Anesthetics at the Revolution | 120 |
Conclusion | 146 |
Works Cited | 165 |
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aesthetic Alhadra ambivalence Ambrosio ancien régime anesthesia Ann Radcliffe argues aristocratic Beatrice Beccaria becomes bodily body in pain body politic Burke Burke's Byron Cartesian Cenci Chapter Coleridge Coleridge's consciousness depiction Descartes destroy discourses discussion drama effect Elaine Scarry Emily emotional Enquiry epistemological excess experience of pain Faliero fear feeling Fleetwood Foucault France French Revolution gibbet Godwin Gothic novel heart horror human imagined pain individual inflict Jacobin judicial Lewis's Marino Faliero Marquis de Sade Mary Matthew Lewis medicine mind moral move murder Mysteries of Udolpho novel numbness object one's Osorio Paine's pained body passions physical pain physical sentience pity pleasure poem Poetry problem punishment Radcliffe Radcliffe's representation represented revolutionary Romantic fiction Sade Salisbury Plain Sardanapalus Scarry scene sense sensibility sensitive sentience sentient body sentimental Shelley Shelley's social spectacle of pain spectator stage suffering sympathetic sympathy terror theatrical tion torture truth tyranny Vagrant victim violence Whereas Whytt Wordsworth