Shakspeare's dramatic art: and his relation to Calderon and Goethe. Translated from the German [by A. J. W. M. i.e. Morrison].Chapman, 1846 - 554 sayfa |
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Sayfa 2
... passion , resurrection , and ascension ; or such of the principal events of the Old Testament as were suited for exhibition , while the Apocrypha , and the later holy legends , furnished an abundant supply of equally favourite subjects ...
... passion , resurrection , and ascension ; or such of the principal events of the Old Testament as were suited for exhibition , while the Apocrypha , and the later holy legends , furnished an abundant supply of equally favourite subjects ...
Sayfa 21
... passions without any mis- trust of his own powers , and the catastrophe especially , which in horror surpasses all conception , is so absurdly brought about as to produce a ridiculous rather than a mournful impression . The whole ...
... passions without any mis- trust of his own powers , and the catastrophe especially , which in horror surpasses all conception , is so absurdly brought about as to produce a ridiculous rather than a mournful impression . The whole ...
Sayfa 23
... recourse to the most forced situations , to descriptions of the wildest outbreaks of overwrought passions , and to a diction over- loaded with vehement expressions and boldly hazarded figures . But ENGLISH DRAMA , BEFORE SHAKSPEARE . 23.
... recourse to the most forced situations , to descriptions of the wildest outbreaks of overwrought passions , and to a diction over- loaded with vehement expressions and boldly hazarded figures . But ENGLISH DRAMA , BEFORE SHAKSPEARE . 23.
Sayfa 33
... passions and affections - the violent gesticulation and grimacing , which Hamlet ridicules - were still to be met with even at this time , since it fully agrees with the character of most of the pieces of the day , and with the general ...
... passions and affections - the violent gesticulation and grimacing , which Hamlet ridicules - were still to be met with even at this time , since it fully agrees with the character of most of the pieces of the day , and with the general ...
Sayfa 34
... passionate , and figurative language , demand an enunciation so perfect , and frequently suppose so ex- pressive a play of countenance , -as a dumb accompaniment of the action , and oftentimes ( as in Macbeth , Lear , Hamlet , & c ...
... passionate , and figurative language , demand an enunciation so perfect , and frequently suppose so ex- pressive a play of countenance , -as a dumb accompaniment of the action , and oftentimes ( as in Macbeth , Lear , Hamlet , & c ...
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Sık kullanılan terimler ve kelime öbekleri
Accordingly action already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity view of things virtue weakness whole Winter's Tale