Israeli Cinema: East/West and the Politics of RepresentationUniversity of Texas Press, 1989 - 312 sayfa |
İçindekiler
Beginnings in the Yishuv | 15 |
The HeroicNationalist Genre | 57 |
The Bourekas and Sephardi Representation | 115 |
Telif Hakkı | |
5 diğer bölüm gösterilmiyor
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
24 Doesn't Answer actors allegory American Arab characters army Ashkenazi Aviv Axelrod bourekas camera conflict context contrast culture Daoud Dayan dialogue discourse documentaries East Egyptian emphasizes Ephraim Kishon Eretz Israel Establishment ethnic European evokes example fiction film critics film's filmic Fortuna genre Gila Almagor Golan's Hebrew heroic-nationalist films Hill 24 Histadrut historical Hole ideological immigrants Israeli cinema Israeli Film Israeli soldiers Jerusalem Jewish kibbutz kibbutznik Kishon Kolnoa Labor land language Likud marginality meanwhile Menahem Menahem Golan military Mizrahi Moon narrative Narrow Bridge Oded the Wanderer oppression Oriental Jews Palestine Palestinian Palmach personal cinema personal films perspective pioneers played political presented production protagonist Rebels representation Rockinghorse role Sabra Sallah Shabbati screen seen sense Sephardi sequence sixties social spectator story structure struggle Tel Aviv tend terrorists texts theater Third World tion traditional Tzelnick Uri Zohar West Western woman Yaki Yosha's Yedioth Ahronoth Yehuda Yishuv Yossef Zionist Zohar's