Theater Three, 6-11. sayılarCollege of Fine Arts at Carnegie Mellon University, 1989 |
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action actors aesthetic American appears Arabic artistic attempt audience become beginning body Bond Brecht British called century characters completely contemporary created critical cultural death Designed Directed director drama early Edward Bond effect example experience expression face fact feel final forces give human idea important interest kind language less light live London look meaning ment move nature never Notes once Opened past performance perhaps play playwright political present Press production published question reality relation remains role Russian scene seems sense social Soviet stage Stanislavsky story structure style suggests tell theater theatrical thing tion tradition translation turn understand University voice writing written York young