Ezra Pound's (post)modern Poetics and Politics: Logocentrism, Language, and TruthP. Lang, 2001 - 325 sayfa Ezra Pound, the poet called «the contemporary of our grandchildren», has exercised enormous influence on the development of American poetry and criticism. This impact on the world of letters is only grudgingly acknowledged today, since it comes from a poet tainted by fascism and anti-Semitism. This book follows the contours of our love for his poetics and hate for his politics, juxtaposing Pound's work to postmodern theory. The contrasts prevail: in the relation of language to reality, in the moral and political commitments, and in the vision of history. At the same time, Pound's poetic practices, particularly his collage techniques and «series of Englishes», overflowed his political ideology. It is this overflow that makes him so fascinating to intellectuals and the main reason we study his work with respect now. |
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32 sonuçtan 1-3 arası sonuçlar
Sayfa 22
... considered that the main actors on this scene were Lyotard and not something called the postmodern condition , Douglas Crimp and not Sherrie Levine , Jameson and not Doctorow . In short , the history of postmodernism did not consist in ...
... considered that the main actors on this scene were Lyotard and not something called the postmodern condition , Douglas Crimp and not Sherrie Levine , Jameson and not Doctorow . In short , the history of postmodernism did not consist in ...
Sayfa 90
... considered to be a transition from the Gothic to the Renaissance . He was born two centuries after Cimabue , the same distance that separates Wyatt from Cavalcanti . " As a bad analogy " let's suppose that the oil copy of this lesser ...
... considered to be a transition from the Gothic to the Renaissance . He was born two centuries after Cimabue , the same distance that separates Wyatt from Cavalcanti . " As a bad analogy " let's suppose that the oil copy of this lesser ...
Sayfa 93
... considered the sonnet an occasional piece , with no special interest . He concentrated on keeping close to Cavalcanti's syntax and where possible , close to the sound of his words , as in ' Thou wast in proof of that lord valorous ' for ...
... considered the sonnet an occasional piece , with no special interest . He concentrated on keeping close to Cavalcanti's syntax and where possible , close to the sound of his words , as in ' Thou wast in proof of that lord valorous ' for ...
İçindekiler
The Word and the Real in the Postmodern Discourse | 5 |
Pounds Translations | 65 |
Pound and Cavalcanti | 83 |
Telif Hakkı | |
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Sık kullanılan terimler ve kelime öbekleri
action Adams already American argument attempt authority bank becomes beginning belief bring called Cantos Chinese collage concept connection considered continuous create criticism cultural debt definition described direct discourse economic English expression fact force fragments fundamental give gold hand human idea ideogram important influence instance institutions interest interpretation Italy knowledge language limited look meaning meant metaphor method mind moral nature object original philosopher poem poet poetic poetry political possible postmodern Pound practice present Press principle problem Propertius question reader reading reason reference regarded relation rhetoric Rorty rules seemed sense separate signified society speech story theory things thought tradition translation truth turn understanding University usury vocabulary wanted whole writing