Miscellaneous and Fugitive Pieces, 3. ciltT. Davies, 1774 - 375 sayfa |
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39 sonuçtan 1-5 arası sonuçlar
Sayfa 42
... Pleasure are not connected , and that the Removal of Pain is not a positive Pleasure , but for Diftinction's Sake , he chufes to call it Delight . If a Man , ' fays he , in a State of Tranquility fhould fuddenly hear a Concert of Mufic ...
... Pleasure are not connected , and that the Removal of Pain is not a positive Pleasure , but for Diftinction's Sake , he chufes to call it Delight . If a Man , ' fays he , in a State of Tranquility fhould fuddenly hear a Concert of Mufic ...
Sayfa 45
... Pleasure , and is merely a Disappointment , and a Grieving for the Lofs of Company . In talking of the Social Paffions , he fays , I am convinced we have a Degree of Delight , and that no finall one , in the real Misfortunes and Pains ...
... Pleasure , and is merely a Disappointment , and a Grieving for the Lofs of Company . In talking of the Social Paffions , he fays , I am convinced we have a Degree of Delight , and that no finall one , in the real Misfortunes and Pains ...
Sayfa 46
... Pleasure , which fhews that we are fecretly pleased the Tragic Distress is not Reality . Choose a Day on which to ... Pleasure . In talking of Imitation our Author fays , When the Object reprefented in Poetry or Painting is fuch , as we ...
... Pleasure , which fhews that we are fecretly pleased the Tragic Distress is not Reality . Choose a Day on which to ... Pleasure . In talking of Imitation our Author fays , When the Object reprefented in Poetry or Painting is fuch , as we ...
Sayfa 48
... Pleasure beyond itself . It was in reading that Description that , as Boileau tells us , the Prince of Conde cried out , voila le fublime ; voila fon veritable charactere : That's the Sublime ; that's the true Character of it . ' In ...
... Pleasure beyond itself . It was in reading that Description that , as Boileau tells us , the Prince of Conde cried out , voila le fublime ; voila fon veritable charactere : That's the Sublime ; that's the true Character of it . ' In ...
Sayfa 54
... Pleasure , he imagines , by way of Contrast , that the Sublime must be founded on Pain . But we have feen in Inftances already produced ( and there are numberless more ) that it is alfo founded on Pleasure . However , he proceeds with ...
... Pleasure , he imagines , by way of Contrast , that the Sublime must be founded on Pain . But we have feen in Inftances already produced ( and there are numberless more ) that it is alfo founded on Pleasure . However , he proceeds with ...
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Affiftance affured againſt alfo ANTIPAROS Appetites Averfion Beauty becauſe Befides Bolingbroke Caufe Cauſe Clodio confequently confiderable Courſe Defign Defire diftinguiſhed diſcovered Eachard eafily Expreffion faid fame fays feemed fenfible fent ferved fettled feveral fhall fhew fhould fince firft firſt fome fometimes foon French Friends ftill fuch fuffered fufficient fuppofe fure greateſt Happineſs himſelf Houſe human Ideas Impreffions Inftance Inftincts Intereft itſelf John Eachard juft laft lefs loft Lord Lord Bolingbroke Love Mafter Manner Meaſures Mind moft moſt Mufe Mufic muft muſt myſelf Nature neceffary neral never Number o'er obferved Objects Occafion Paffage paffed Paffions Pain Parnell Perfon Philofophy pleafing pleaſe Pleaſure Poet poffible Pope Power Praiſe prefent Pretender Principles Purpoſe racters raiſe Reaſon Reft reprefented rife ſee Self-intereft Self-love Senfe ſhall Species ſtill Sublime Syftem thefe themſelves theſe Thing thofe thoſe tion Underſtanding univerfal uſeful Whigs whofe Words write Zoilus
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