William Shakespeare, King LearSusan Bruce Columbia University Press, 1998 - 192 sayfa This Critical Guide helps students sift through and make sense of nearly three centuries of Lear criticism, providing insight into different assessments of the play's merit and its place within Shakespeare's work and the canon of English literature. Highlights include excerpts from the neoclassical and Romantic receptions of King Lear -- material from John Dryden, Samuel Johnson, Samuel Taylor Coleridge, and Victor Hugo -- and a discussion of recent and current trends in criticism of the play. |
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30 sonuçtan 1-5 arası sonuçlar
Sayfa 7
... continually remade , in small ways , although the received structure remains intact . Now we see that text being remade again , fundamentally . Whatever the cogency of Hunter's arguments , the very fact 7 INTRODUCTION.
... continually remade , in small ways , although the received structure remains intact . Now we see that text being remade again , fundamentally . Whatever the cogency of Hunter's arguments , the very fact 7 INTRODUCTION.
Sayfa 8
Susan Bruce. Whatever the cogency of Hunter's arguments , the very fact that he is here -- in Williamstown , debating Urkowitz - strengthens Urkowitz ' position . The audience can see for itself that there are now at least two texts of ...
Susan Bruce. Whatever the cogency of Hunter's arguments , the very fact that he is here -- in Williamstown , debating Urkowitz - strengthens Urkowitz ' position . The audience can see for itself that there are now at least two texts of ...
Sayfa 11
... fact , we have now arrived at a situ- ation in which critics who do admire Shakespeare , and King Lear , sometimes struggle to find the terms in which to express that admira- tion , partly because admiration is neither new nor original ...
... fact , we have now arrived at a situ- ation in which critics who do admire Shakespeare , and King Lear , sometimes struggle to find the terms in which to express that admira- tion , partly because admiration is neither new nor original ...
Sayfa 24
Maalesef, bu sayfanın içeriği kısıtlanmıştır.
Maalesef, bu sayfanın içeriği kısıtlanmıştır.
Sayfa 29
Maalesef, bu sayfanın içeriği kısıtlanmıştır.
Maalesef, bu sayfanın içeriği kısıtlanmıştır.
İçindekiler
NeoClassicism | 15 |
Romanticism | 48 |
Realism | 83 |
From Christianity to Chaos | 116 |
Contemporary Criticism of King Lear | 149 |
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Sık kullanılan terimler ve kelime öbekleri
A.C. Bradley action aesthetic argues attack audience blind Bradley Bradley's Brian Vickers century chapter character clown conception Coppélia Cordelia Cornwall daughters death Dickens Dover drama Edgar edition Edmund effect Empson essay express extract eyes father feeling feudal Foakes Fool Freud Garrick Gervinus Gloster Gloucester Gloucester's gods Goneril Guizot Hamlet heart historical Hugo human illusion Kent kind King Lear Kott L. C. Knights literary London mind moral motives nature Neo-Classical Orwell Oswald passion person play's poet poetic justice question reading of King reason renunciation representation represented reprinted role Romantic scene Schlegel seems sense Shakespeare Shakespeare Our Contemporary Shakespeare's plays Shakespearean tragedy social soul speak spectator speech stage suffering Swinburne Tate Tate's adaptation Tate's Lear theme theory thing thou tion Tolstoy Tolstoy's tragic unity universal Vickers Wheel of Fire whole William Shakespeare Wilson Knight women words writing