Speech and Performance in Shakespeare's Sonnets and Plays
Cambridge University Press, 17 Eki 2002 - 262 sayfa
David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period.
Kullanıcılar ne diyor? - Eleştiri yazın
Her zamanki yerlerde hiçbir eleştiri bulamadık.
Diğer baskılar - Tümünü görüntüle
action allows appears argues argument attempts audience beauty beloved Bertram body character claims common concepts condition constitute context Cressida criticism dark desire discourse effect embodied erotic essentially expression eyes face fact fair feeling force give Hamlet hand heart Helen historical human interiority kind King language less lines literary live logical London look loue lover marks meaning merely move mutual nature object offers Othello performative Petrarchan play player player-poet poem poet poetic political position possibility present proper name question reading reciprocity referent reflection relations relationship render represented rhetorical Romeo Romeo and Juliet scene sense sexual Shakespeare's sonnets silence situation social space speak speech acts stage status suggests texts theatre theatrical thee thing thou thought transform Troilus true truth turn University Press voice woman women writing young
Tüm Kitap Arama sonuçları »
Der poetische Pakt: Rolle und Funktion des poetischen Ich in der Liebeslyrik ...
Metin Parçacığı görünümü - 2007