Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical and Renaissance ComedyPsychology Press, 2005 - 166 sayfa First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. |
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Dramatic Convention in Classical and Renaissance Comedy Karen Newman. SHAKESPEARE'S RHETORIC OF COMIC CHARACTER Dramatic Convention in Classical and Renaissance Comedy KAREN NEWMAN Routledge Taylor & Francis Group LONDON AND NEW YORK ...
Dramatic Convention in Classical and Renaissance Comedy Karen Newman. SHAKESPEARE'S RHETORIC OF COMIC CHARACTER Dramatic Convention in Classical and Renaissance Comedy KAREN NEWMAN Routledge Taylor & Francis Group LONDON AND NEW YORK ...
Sayfa
Dramatic Convention in Classical and Renaissance Comedy Karen Newman. First published in 1985 Reprinted in 2005 by Routledge 2 Park Square , Milton Park , Abingdon , Oxon , OX14 4RN Routledge is an imprint of the Taylor & Francis Group ...
Dramatic Convention in Classical and Renaissance Comedy Karen Newman. First published in 1985 Reprinted in 2005 by Routledge 2 Park Square , Milton Park , Abingdon , Oxon , OX14 4RN Routledge is an imprint of the Taylor & Francis Group ...
Sayfa
Dramatic Convention in Classical and Renaissance Comedy Karen Newman. Shakespeare's Rhetoric of Comic Character Dramatic convention in Classical and Renaissance comedy Karen Newman Methuen New York and London First published in 1985 by ...
Dramatic Convention in Classical and Renaissance Comedy Karen Newman. Shakespeare's Rhetoric of Comic Character Dramatic convention in Classical and Renaissance comedy Karen Newman Methuen New York and London First published in 1985 by ...
İçindekiler
Comic plot conventions in Measure for Measure | 20 |
Menander and New Comedy | 30 |
Plautus and Terence | 40 |
The enchantments of Circe | 57 |
X | 91 |
1 | 105 |
ឆ៩៩ | 120 |
42 | 138 |
151 | |
Diğer baskılar - Tümünü görüntüle
Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Metin Parçacığı görünümü - 1985 |
Sık kullanılan terimler ve kelime öbekleri
action Angelo Angelo's soliloquy Antipholus of Syracuse Arden edition argues audience Beatrice behavior Benedick Berowne Cesario characterization Charisios claim Claudio Comedy of Errors comic characters comic plots comic soliloquy complex conventions courtly creating critics decorum discovery disguise dramatic dramatists Drusilla Duke Duke's E. M. W. Tillyard Elizabethan emphasize essay Evanthius example features of dialogue fiction Flamminio Gl'Ingannati Hamlet Hero imagined inner debate intrigue Isabella Italian comedy Knemon language Lelia lifelike lines linguistic London Love's Labour's Lost lovers Luciana Lucrezio M. C. Bradbrook Malvolio marriage Measure for Measure Menander Menander's metaphor mind mistaken identity mistaken identity plot monologue Olivia person Plautine Plautus play play's problem comedies pronouns prosopopoeia Pseudolus psychological recognized Renaissance comedy represent rhetoric of consciousness rhetorical questions role romance Rosalind Salingar scene self-address sense sexual Shakespeare Shakespeare Survey soliloquy Sosia suggests Terence Terence's theme thou tradition tragedy trans Twelfth Night Viola words