Amenities of literature, sketches and characters of English literature, 3. cilt1841 |
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Sayfa 41
... wrote . We may look in them for entire scenes , felicitous lines , and many an insulated passage , studies * Bouterwek's Hist . of Spanish Lit. i . 128 . for a poet ; anthologies have been drawn from these CONTEMPORARIES OF SHAKESPEARE .
... wrote . We may look in them for entire scenes , felicitous lines , and many an insulated passage , studies * Bouterwek's Hist . of Spanish Lit. i . 128 . for a poet ; anthologies have been drawn from these CONTEMPORARIES OF SHAKESPEARE .
Sayfa 76
... studies of the monarch * . In the Iconoclastes , alluding to those writers who have shown the characteristic religious hypocrisy of tyrants , Milton observes , " I shall not instance an abstruse author wherein the king might be less ...
... studies of the monarch * . In the Iconoclastes , alluding to those writers who have shown the characteristic religious hypocrisy of tyrants , Milton observes , " I shall not instance an abstruse author wherein the king might be less ...
Sayfa 91
... studies of this poet . Whoever will take the pains to examine their popular papers may discover the fruits of their first thoughts . Steele at first seems to have derived his knowledge of Shakespeare from the plays as they were ...
... studies of this poet . Whoever will take the pains to examine their popular papers may discover the fruits of their first thoughts . Steele at first seems to have derived his knowledge of Shakespeare from the plays as they were ...
Sayfa 140
... studies ; but there was , as the poet indignantly designates them , " a cattle , odi profanum vulgus et arceo , of which I account them , be they never so great . " And " the cattle " conceived that there was nothing in this island ...
... studies ; but there was , as the poet indignantly designates them , " a cattle , odi profanum vulgus et arceo , of which I account them , be they never so great . " And " the cattle " conceived that there was nothing in this island ...
Sayfa 177
... . Rawleigh however had dropped some hints on his Hebraic studies ; acknowledging his ignorance of that recondite language , he was indebted VOL . III . N to some preceding interpreters and to " some learned friends OF RAWLEIGH . 177.
... . Rawleigh however had dropped some hints on his Hebraic studies ; acknowledging his ignorance of that recondite language , he was indebted VOL . III . N to some preceding interpreters and to " some learned friends OF RAWLEIGH . 177.
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admiration ancient antiquary appears Aristotle bard Ben Jonson Bishop Bodleian Library Bodley character Charles Clarendon collection comedy Commonwealth copies court critic Cudworth curious Dean Aldrich discovered divine drama dramatists Drayton Earl edition Edward Kelley Elias Ashmole Elizabeth England English evidence fancy fate favour favourite Fludd fortune genius Gorboduc Harrington honour human humour imagined invention James Jonson king language learned literary literature Lord Bacon Lord Clarendon majesty manuscript Meric Casaubon mind monarch mysterious nature never noble occult Oceana old plays Oldys original pamphlets party passions person philosopher poems poet poetical poetry political Poly-olbion Pope posterity prince printers printing Queen Rawleigh reader reign ROBERT FLUDD royal sage scenes secret seems Shakespeare Shakespearian singular Sir Thomas speare spirit style term theatre tion tragedy truth verse Voltaire volume writers Yorkshire Tragedy
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Sayfa 155 - I that was wont to behold her riding like Alexander, hunting like Diana, walking like Venus, the gentle wind blowing her fair hair about her pure cheeks, like a nymph; sometime sitting in the shade like a Goddess; sometime singing like an angel; sometime playing like Orpheus. Behold the sorrow of this world! Once amiss, hath bereaved me of all.
Sayfa 8 - ... very defectious in the circumstances, which grieveth me, because it might not remain as an exact model of all tragedies. For it is faulty both in place and time, the two necessary companions of all corporal actions.
Sayfa 61 - But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest.
Sayfa 68 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Sayfa 133 - Which makes thy writings lean on one side still, And, in all changes, that way bends thy will.
Sayfa 77 - I do not know that Englishman alive, With whom my soul is any jot at odds, More than the infant that is born to-night; I thank my God for my humility.
Sayfa 415 - The danger of such unbounded liberty, and the danger of bounding it, have produced a problem in the science of government, which human understanding seems hitherto unable to solve. If nothing may be published but what civil authority. shall have previously approved, power must always be the standard of truth : if every dreamer of innovations may propagate his projects, there can be no settlement ; if every...
Sayfa 33 - He would have made a great epic poet, if indeed he has not abundantly shown himself to be one ; for his Homer is not so properly a translation as the stories of Achilles and Ulysses rewritten. The earnestness and passion...
Sayfa 55 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Sayfa 70 - We have but collected them, and done an office to the dead, to procure his orphans guardians; without ambition either of self-profit or fame; only to keep the memory of so worthy a friend and fellow alive as was our Shakespeare, by humble offer of his plays to your most noble patronage.