The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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Sayfa
... begins with the invention of the sonnet in thirteenthcentury Italy and traces its progress through tothe time of Milton, showing how the form has developed and acquiredthe capacity to express lyrically 'the nature of the desiring self ...
... begins with the invention of the sonnet in thirteenthcentury Italy and traces its progress through tothe time of Milton, showing how the form has developed and acquiredthe capacity to express lyrically 'the nature of the desiring self ...
Sayfa
... begins to write: the limerick, forexample, orthe triolet, or the sonnet. Identity isformal,not thematic,asit is in tragedy orode.Ifwe suggest that anart work occurs when imaginative energy is successfully contained in a discursive ...
... begins to write: the limerick, forexample, orthe triolet, or the sonnet. Identity isformal,not thematic,asit is in tragedy orode.Ifwe suggest that anart work occurs when imaginative energy is successfully contained in a discursive ...
Sayfa
... begin the ending than has the limerick writer: poets using the Italian form (4+4+3+3) showno particular preference amongthelast three lines for a point at which to begin to end;
... begin the ending than has the limerick writer: poets using the Italian form (4+4+3+3) showno particular preference amongthelast three lines for a point at which to begin to end;
Sayfa
An Introduction Michael R. G. Spiller. lines for a point at which to begin to end; and, though those of a witty cast of ... begins the investigation ofthiskind of modality of presentation, whenhe distinguishes between dramatic works, in ...
An Introduction Michael R. G. Spiller. lines for a point at which to begin to end; and, though those of a witty cast of ... begins the investigation ofthiskind of modality of presentation, whenhe distinguishes between dramatic works, in ...
Sayfa
... begins isclearly acknowledging the same assumption.) To say that thesonnet is akindof workhorseinthe Renaissance lyric stable is nottodevalue its role as the poem of love—even noble ladies, afterall, customarily rode smaller and lighter ...
... begins isclearly acknowledging the same assumption.) To say that thesonnet is akindof workhorseinthe Renaissance lyric stable is nottodevalue its role as the poem of love—even noble ladies, afterall, customarily rode smaller and lighter ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt