The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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... century before him Ihave discussed the sonneteers of the thirteenth century at some length,with lots of examples, all translated, both because that iswhen the parameters ofthe sonnet were formed and becausethe Italian material is widely ...
... century before him Ihave discussed the sonneteers of the thirteenth century at some length,with lots of examples, all translated, both because that iswhen the parameters ofthe sonnet were formed and becausethe Italian material is widely ...
Sayfa
... praiseofhis love for one woman, hisLaura, though itwasimperfectly understood, was theglass of fashionand the mould of form for European sonneteers from the Renaissance to the nineteenth century. But love is not the only 1 ...
... praiseofhis love for one woman, hisLaura, though itwasimperfectly understood, was theglass of fashionand the mould of form for European sonneteers from the Renaissance to the nineteenth century. But love is not the only 1 ...
Sayfa
... century following, inheritedan already very sophisticated poetic instrument.The sonnet came into the vernacular of Spaininthe midfifteenth century, into the vernaculars of Britain andFrance in the early sixteenth, and into German in ...
... century following, inheritedan already very sophisticated poetic instrument.The sonnet came into the vernacular of Spaininthe midfifteenth century, into the vernaculars of Britain andFrance in the early sixteenth, and into German in ...
Sayfa
... centuries. Alternative sonnet forms did appear in profusioninthe thirteenth century alongside the sonettus consuetus or 'normal sonnet',but none of these variants—additional lines, shorter lines inserted (indicated with a lower ...
... centuries. Alternative sonnet forms did appear in profusioninthe thirteenth century alongside the sonettus consuetus or 'normal sonnet',but none of these variants—additional lines, shorter lines inserted (indicated with a lower ...
Sayfa
... century left a record oftheir thoughts on itsstructure.) To illustratethis link between proportionand thought,whichis basic andcrucialtothe sonnet'ssuccess anddistinctivevoice, we may take the slightlyeasier example ofthatother ...
... century left a record oftheir thoughts on itsstructure.) To illustratethis link between proportionand thought,whichis basic andcrucialtothe sonnet'ssuccess anddistinctivevoice, we may take the slightlyeasier example ofthatother ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt