The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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... lyrics. The existence of hundreds of thousandsof sonnets inall thevernacularsof western Europe proves that,for 750 years at least,the sonnet has been challengingand satisfying the poetic imagination. The sonnet is probablythe ...
... lyrics. The existence of hundreds of thousandsof sonnets inall thevernacularsof western Europe proves that,for 750 years at least,the sonnet has been challengingand satisfying the poetic imagination. The sonnet is probablythe ...
Sayfa
... lyric voice, but the Aristotelian modal tradition has been powerfully influential among modern readers of poetry instimulating an interestinmimesis, in thecreation of fictional selves to representour own. Arecentcritic of Shakespeare ...
... lyric voice, but the Aristotelian modal tradition has been powerfully influential among modern readers of poetry instimulating an interestinmimesis, in thecreation of fictional selves to representour own. Arecentcritic of Shakespeare ...
Sayfa
... lyric voiceis a dramatic construct: authors refract their /I/indifferent ways.The sonneteer may havehis orher speaker narrate,to tellin effectashortstoryabout acharacter distanced from/Iwhospeaks/ at least as far as /Ithatwas/ (a gap ...
... lyric voiceis a dramatic construct: authors refract their /I/indifferent ways.The sonneteer may havehis orher speaker narrate,to tellin effectashortstoryabout acharacter distanced from/Iwhospeaks/ at least as far as /Ithatwas/ (a gap ...
Sayfa
... lyric': When I consider everythingthat grows...(15) But what seems a very modern concern with the way inwhich voice comes to us in poetry, and with the kinds of persona that are constructed by texts, isreally areworking, or perhaps a ...
... lyric': When I consider everythingthat grows...(15) But what seems a very modern concern with the way inwhich voice comes to us in poetry, and with the kinds of persona that are constructed by texts, isreally areworking, or perhaps a ...
Sayfa
... lyric stable is nottodevalue its role as the poem of love—even noble ladies, afterall, customarily rode smaller and lighter horses. Therewere notwanting those whoclaimed that a great sonnet could reach thesublimityofthe highest style ...
... lyric stable is nottodevalue its role as the poem of love—even noble ladies, afterall, customarily rode smaller and lighter horses. Therewere notwanting those whoclaimed that a great sonnet could reach thesublimityofthe highest style ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt