The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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... perhaps better than he knew, for the sonnet isat once small,and clearly formed, and capable of holding desires from the most tremendous depths. If it were not so, it would not have been used consistently and continuouslyby thepoets of ...
... perhaps better than he knew, for the sonnet isat once small,and clearly formed, and capable of holding desires from the most tremendous depths. If it were not so, it would not have been used consistently and continuouslyby thepoets of ...
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... perhaps a recovery, of the dominant latemedieval and Renaissance habit of looking at texts as rhetorical performances; we in the twentieth centuryare looking from the reader'sside atwhatthese earlier poetswould have approached from the ...
... perhaps a recovery, of the dominant latemedieval and Renaissance habit of looking at texts as rhetorical performances; we in the twentieth centuryare looking from the reader'sside atwhatthese earlier poetswould have approached from the ...
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... perhaps the nearest we can get to it)the sonnet had been upandrunning for seventy years, from 1235 toabout 1305. 8 Dante'sspirited defence of theItalian vernacular—or, more accurately,of the dialect of Italian which he himself spoke,the ...
... perhaps the nearest we can get to it)the sonnet had been upandrunning for seventy years, from 1235 toabout 1305. 8 Dante'sspirited defence of theItalian vernacular—or, more accurately,of the dialect of Italian which he himself spoke,the ...
Sayfa
... perhaps anachronistic to think of Frederick as maintaining a courtin the later Renaissance sense, but ashe moved about among his various cities and castles, principally on the mainland, herequired thecentralised controlof theimperium to ...
... perhaps anachronistic to think of Frederick as maintaining a courtin the later Renaissance sense, but ashe moved about among his various cities and castles, principally on the mainland, herequired thecentralised controlof theimperium to ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt