The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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... this enduringpoetic form. Poets coveredinclude: Petrarch Wyatt Sidney Shakespeare Spenser Dante Milton Michael R.G.Spiller isSenior Lecturer in English and Cultural History at the University of Aberdeen. THE DEVELOPMENT OF THE.
... this enduringpoetic form. Poets coveredinclude: Petrarch Wyatt Sidney Shakespeare Spenser Dante Milton Michael R.G.Spiller isSenior Lecturer in English and Cultural History at the University of Aberdeen. THE DEVELOPMENT OF THE.
Sayfa
... poets, Lorenzo dei Medici, Michelangelo and others, who are good but of less relevance to the British sonnet;andthe excellent workof Walter Monch, Sidney Lee, Janet Scott,Gary Waller and othershas madeit possible for me to ...
... poets, Lorenzo dei Medici, Michelangelo and others, who are good but of less relevance to the British sonnet;andthe excellent workof Walter Monch, Sidney Lee, Janet Scott,Gary Waller and othershas madeit possible for me to ...
Sayfa
... poetic instrument.The sonnet came into the vernacular of Spaininthe midfifteenth century, into the vernaculars of Britain ... poets— even such apparently wild men ase.e. cummings—have at least one ortwosonnets among their lyrics. The ...
... poetic instrument.The sonnet came into the vernacular of Spaininthe midfifteenth century, into the vernaculars of Britain ... poets— even such apparently wild men ase.e. cummings—have at least one ortwosonnets among their lyrics. The ...
Sayfa
... poem itself ends at a point not controlled by the author's will. If thishad been feltas a frustration, poets would not have gone on writingsonnets:Alistair Fowler, in hismagisterial study, Kinds of Literature (1982), suggests that ...
... poem itself ends at a point not controlled by the author's will. If thishad been feltas a frustration, poets would not have gone on writingsonnets:Alistair Fowler, in hismagisterial study, Kinds of Literature (1982), suggests that ...
Sayfa
... poets, to have a very definite sense pause (marked, in modern editions, byafullstop, semicolon or comma) inthe octave, between linesfourandfive, giving thus two quatrainsinthe octave; andless clearly inthe sestet, tohave asense pause ...
... poets, to have a very definite sense pause (marked, in modern editions, byafullstop, semicolon or comma) inthe octave, between linesfourandfive, giving thus two quatrainsinthe octave; andless clearly inthe sestet, tohave asense pause ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt