The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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Sayfa
... rhetorical devicesShakespeare has usedto create him,very muchas might be said of any character in theplays. 5Similarly, without discounting the possibility that Petrarch's sonnets contain autobiographical details (many.
... rhetorical devicesShakespeare has usedto create him,very muchas might be said of any character in theplays. 5Similarly, without discounting the possibility that Petrarch's sonnets contain autobiographical details (many.
Sayfa
... rhetorical signs. Classical rhetoric, as taught through the schools of the centuries before the invention ofthe sonnet, was adept at assigning different kinds oftext todifferent social occasions and different social levels, sothatthe/I ...
... rhetorical signs. Classical rhetoric, as taught through the schools of the centuries before the invention ofthe sonnet, was adept at assigning different kinds oftext todifferent social occasions and different social levels, sothatthe/I ...
Sayfa
... rhetorical elaborations thatare simply too extendedfor fourteen lines. Dante's briefremarks remind us that thesonnet appearedatthebeginning of thefourteenth century to bea straightforward form, in which the /I/, orany other subject ...
... rhetorical elaborations thatare simply too extendedfor fourteen lines. Dante's briefremarks remind us that thesonnet appearedatthebeginning of thefourteenth century to bea straightforward form, in which the /I/, orany other subject ...
Sayfa
... rhetorical skilland a high degree of artifice were marks of the courtly persona; and the troubadours, who were either themselves of noblerankorwere clients ofnobility, developed numerous difficult verse forms, often containing language ...
... rhetorical skilland a high degree of artifice were marks of the courtly persona; and the troubadours, who were either themselves of noblerankorwere clients ofnobility, developed numerous difficult verse forms, often containing language ...
Sayfa
... rhetoric. Wherethespace of thetraditional Sicilian lovesonnet creates an /I/ whoworships beauty and pleads forgrace, Cecco produces a speaker who worships money and pleads for sex: L'altrier sìmiferiò un talticca ch'andar mi fece a ...
... rhetoric. Wherethespace of thetraditional Sicilian lovesonnet creates an /I/ whoworships beauty and pleads forgrace, Cecco produces a speaker who worships money and pleads for sex: L'altrier sìmiferiò un talticca ch'andar mi fece a ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt