The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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... seem to have done most to extend its powers, show how the self and its desires were imaged. Asforwhat camebefore, considerations of length andpractical useto students of theform have urged meto make choices:Petrarch,of course ...
... seem to have done most to extend its powers, show how the self and its desires were imaged. Asforwhat camebefore, considerations of length andpractical useto students of theform have urged meto make choices:Petrarch,of course ...
Sayfa
... seems to berather more,inmost modernEuropean vernaculars, than one requiresfor the simple expression ofa feeling or state of mind, but rather less than one would like for a full discussion ofthat feelingorstate ofmind. It is certainly ...
... seems to berather more,inmost modernEuropean vernaculars, than one requiresfor the simple expression ofa feeling or state of mind, but rather less than one would like for a full discussion ofthat feelingorstate ofmind. It is certainly ...
Sayfa
... seems to have been a musical requirement: a melodic unit was given out, repeated once, and thenmadeway fora new melodic phrase. The verbal recognitionof this musical alteration is firstofall syntactic: anew sentence atthe change ...
... seems to have been a musical requirement: a melodic unit was given out, repeated once, and thenmadeway fora new melodic phrase. The verbal recognitionof this musical alteration is firstofall syntactic: anew sentence atthe change ...
Sayfa
... seems a very modern concern with the way inwhich voice comes to us in poetry, and with the kinds of persona that are constructed by texts, isreally areworking, or perhaps a recovery, of the dominant latemedieval and Renaissance habit of ...
... seems a very modern concern with the way inwhich voice comes to us in poetry, and with the kinds of persona that are constructed by texts, isreally areworking, or perhaps a recovery, of the dominant latemedieval and Renaissance habit of ...
Sayfa
An Introduction Michael R. G. Spiller. of learning. What seems to have happened, however, is that the Italian vernacular in the thirteenth century developed very fast in its creation offorms, leaning heavily upon the practiceof Provençal ...
An Introduction Michael R. G. Spiller. of learning. What seems to have happened, however, is that the Italian vernacular in the thirteenth century developed very fast in its creation offorms, leaning heavily upon the practiceof Provençal ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt