The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
Kitabın içinden
28 sonuçtan 1-5 arası sonuçlar
Sayfa
... structure, then ingeneral the poetcanaccept varying degrees of constraint. He orshemay write in free verse,whose boundsare determinedonlyby his or her ownwillacting frommomentto moment. Thenapoet may choose a verse formsuch as blank ...
... structure, then ingeneral the poetcanaccept varying degrees of constraint. He orshemay write in free verse,whose boundsare determinedonlyby his or her ownwillacting frommomentto moment. Thenapoet may choose a verse formsuch as blank ...
Sayfa
... structure ofthe wholepoemis predetermined, as in thelimerick, which must havefive lines,and the sonnet,which mustfinish after fourteen. Thepoet may choose to write another one, ofcourse, asoften ashe or she likes, butthe poem itself ...
... structure ofthe wholepoemis predetermined, as in thelimerick, which must havefive lines,and the sonnet,which mustfinish after fourteen. Thepoet may choose to write another one, ofcourse, asoften ashe or she likes, butthe poem itself ...
Sayfa
... structure intact. If, then,the poemis structurally a variant ofthe basic sonnet,we can rest happy in calling it a sonnet, too. But oncethe 'pretty room' hasbeen built,how does one live in it? Arethere constraints upon the sortsofthing ...
... structure intact. If, then,the poemis structurally a variant ofthe basic sonnet,we can rest happy in calling it a sonnet, too. But oncethe 'pretty room' hasbeen built,how does one live in it? Arethere constraints upon the sortsofthing ...
Sayfa
... structure offourteen lines in eight and six exerts. The extra length of the sonnet gives the writer more choice where to begin the ending than has the limerick writer: poets using the Italian form (4+4+3+3) showno particular preference ...
... structure offourteen lines in eight and six exerts. The extra length of the sonnet gives the writer more choice where to begin the ending than has the limerick writer: poets using the Italian form (4+4+3+3) showno particular preference ...
Sayfa
... structures, thinks of the sonnet as an accumulation of points, asdoes Shakespeare. The senseofthe sonnet as acollection ofbriefly made 'points', withclosures throughoutits fourteen lines, fromeleven syllableunits upwards to the ...
... structures, thinks of the sonnet as an accumulation of points, asdoes Shakespeare. The senseofthe sonnet as acollection ofbriefly made 'points', withclosures throughoutits fourteen lines, fromeleven syllableunits upwards to the ...
İçindekiler
Bölüm 19 | |
Bölüm 20 | |
Bölüm 21 | |
Bölüm 22 | |
Bölüm 23 | |
Bölüm 24 | |
Bölüm 25 | |
Bölüm 26 | |
Bölüm 10 | |
Bölüm 11 | |
Bölüm 12 | |
Bölüm 13 | |
Bölüm 14 | |
Bölüm 15 | |
Bölüm 16 | |
Bölüm 17 | |
Bölüm 18 | |
Bölüm 27 | |
Bölüm 28 | |
Bölüm 29 | |
Bölüm 30 | |
Bölüm 31 | |
Bölüm 32 | |
Bölüm 33 | |
Bölüm 34 | |
Bölüm 35 | |
Bölüm 36 | |
Diğer baskılar - Tümünü görüntüle
Sık kullanılan terimler ve kelime öbekleri
ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt