The Development of the Sonnet: An IntroductionRoutledge, 2 Eyl 2003 - 252 sayfa In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante. |
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... system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the First published 1992 by Routledge 11 New Fetter Lane, London ...
... system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the First published 1992 by Routledge 11 New Fetter Lane, London ...
Sayfa
... writing inthe middle ofthe century following, inheritedan already very sophisticated poetic instrument.The sonnet came into the vernacular of Spaininthe midfifteenth century, into the vernaculars of Britain andFrance in the early ...
... writing inthe middle ofthe century following, inheritedan already very sophisticated poetic instrument.The sonnet came into the vernacular of Spaininthe midfifteenth century, into the vernaculars of Britain andFrance in the early ...
Sayfa
... (1–2), development (3–4)and conclusion (5) is clear. Early writers of limericks often emphasised the returnof the first pattern by combining conclusion with repetition, as Edward Lear does: There wasayoung lady ofBute, Who.
... (1–2), development (3–4)and conclusion (5) is clear. Early writers of limericks often emphasised the returnof the first pattern by combining conclusion with repetition, as Edward Lear does: There wasayoung lady ofBute, Who.
Sayfa
... writers, however, found itmuch more satisfactory to treat the lastline asthe completion of the narrative, adding an ... writer more choice where to begin the ending than has the limerick writer: poets using the Italian form (4+4+3+3) ...
... writers, however, found itmuch more satisfactory to treat the lastline asthe completion of the narrative, adding an ... writer more choice where to begin the ending than has the limerick writer: poets using the Italian form (4+4+3+3) ...
Sayfa
... writing,the alternative 4+4+4+2 grouping emerges, to drive British poets into arhyming couplet ending, with strong ... writer speaks tohis or her audience, it is important toinsist that the modesof presentation of the sonnetarenotsimple ...
... writing,the alternative 4+4+4+2 grouping emerges, to drive British poets into arhyming couplet ending, with strong ... writer speaks tohis or her audience, it is important toinsist that the modesof presentation of the sonnetarenotsimple ...
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ABAB ABBA ABBA amore Amoretti andthe asthe Astrophel and Stella atthe beauty Bembo canzone Cecco Cecco Angiolieri conceit couplet courtier courtly Dante Dante’s desire discourse Donne Donne’s doth Drummond edition English enjambment eyes Faerie Queene favour fromthe George Gascoigne George Puttenham Guittone Hawthornden Herbert hisown inhis inthe invention Italian Italy itis kind Lady Laura Lentino lines literary lover lyric metafictional metaphor Michael Drayton Milton Miscellany narrative Neoplatonic octave ofhis ofthe sonnet one’s onthe passionate Petrarch Petrarchan poems Poesie poetic poetry poets praise printed Provençal quatorzain quatrain Queen reader Renaissance rhetoric rhyme rhymescheme Rime seems sense sestet Shakespeare Shakespeare’s sonnets Sidney Sidney’s sighs sixteenth century song sonnet form sonnet sequence sonnetwriting speak speaker speech Spenser Spenserian sonnet stanza stilnovisti strambotto suggest Surrey sweet tercet thatthe thee thesonnet thou tobe tohave tothe Tottel’s utterance vernacular verse Vita Nuova voice witha word writing written Wyatt