William Shakespeare: A Study in Elizabethan LiteratureC. Scribner's Sons, 1894 - 439 sayfa |
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Sayfa 23
... considered , it is clear that in 1587 Shakspere was still at Stratford ; and that by 1592 he was already so established a dram- atist as to be grouped by Robert Greene with Peele and Marlowe . In the next year , 1593 , the publica- tion ...
... considered , it is clear that in 1587 Shakspere was still at Stratford ; and that by 1592 he was already so established a dram- atist as to be grouped by Robert Greene with Peele and Marlowe . In the next year , 1593 , the publica- tion ...
Sayfa 52
... than his better paid , but less elaborate , work for the stage . The kind of pure literature represented by these poems is akin to what we have already considered . From the time of Wyatt and Surrey forward , fashion- 52 WILLIAM SHAKSPERE.
... than his better paid , but less elaborate , work for the stage . The kind of pure literature represented by these poems is akin to what we have already considered . From the time of Wyatt and Surrey forward , fashion- 52 WILLIAM SHAKSPERE.
Sayfa 77
... considered himself bound , as modern writers of plays or fiction apparently consider themselves bound , to be original . He turned to novels , to poems , to stories , to old plays , as directly as to chronicles . When he found anything ...
... considered himself bound , as modern writers of plays or fiction apparently consider themselves bound , to be original . He turned to novels , to poems , to stories , to old plays , as directly as to chronicles . When he found anything ...
Sayfa 83
... considered , it groups itself immediately with Titus Andronicus and Henry VI . Disregarding the mere matter of style , where Shakspere's concreteness of phrase appears throughout , we find it essentially not an original work , but a ...
... considered , it groups itself immediately with Titus Andronicus and Henry VI . Disregarding the mere matter of style , where Shakspere's concreteness of phrase appears throughout , we find it essentially not an original work , but a ...
Sayfa 84
... considered it not as primarily dramatic , but rather as operatic . On the Elizabethan stage , we found , mere turns of language and half - lyric cadences were conventionally used to express moods which in our own time would certainly ...
... considered it not as primarily dramatic , but rather as operatic . On the Elizabethan stage , we found , mere turns of language and half - lyric cadences were conventionally used to express moods which in our own time would certainly ...
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actual alike Antony and Cleopatra artistic audience character chiefly chronicle-history clearly Comedy of Errors comic conception conjecturally considered constantly conventional Coriolanus creative imagination critics Cymbeline dramatic effect Elizabethan English Literature example express fact Falstaff feel final folio Gentlemen of Verona glance Hamlet Henry human Iago impulse Julius Cæsar King John King Lear less lines Love's Labour's Lost lyric Macbeth Marlowe masterly matter Measure for Measure Merchant of Venice Merry Wives Midsummer Night's Dream modern mood motive never Othello palpable passages passion pere perhaps Pericles personages phrase plausible plot poems popular probably proved published quarto Richard Richard III romantic Romeo and Juliet scene seems sense Shaks Shakspere Shakspere's plays Sonnets speech spontaneous stage story style sure Tempest theatre theatrical things thou thought throughout Timon tion Titus Andronicus tragedy tragic trait Troilus and Cressida Twelfth Night whoever Winter's Tale words writing
Popüler pasajlar
Sayfa 312 - Set you down this ; And say besides, that in Aleppo once, Where a malignant and a turban'd Turk Beat a Venetian and traduced the state, I took by the throat the circumcised dog, And smote him, thus.
Sayfa 312 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Sayfa 267 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die: to sleep...
Sayfa 233 - O, none, unless this miracle have might, That in black ink my love may still shine bright.
Sayfa 283 - Demand me nothing ; what you know, you know : From this time forth I never will speak word.
Sayfa 346 - Come not to me again : but say to Athens, Timon hath made his everlasting mansion Upon the beached verge of the salt flood ; Who once a day with his embossed froth The turbulent surge shall cover : thither come, And let my grave-stone be your oracle.
Sayfa 51 - THE love I dedicate to your Lordship is without end; whereof this pamphlet, without beginning, is but a superfluous moiety. The warrant I have of your honourable disposition, not the worth of my untutored lines, makes it assured of acceptance.
Sayfa 235 - Then hate me when thou wilt; if ever, now; Now, while the world is bent my deeds to cross, Join with the spite of fortune, make me bow, And do not drop in for an after-loss. Ah, do not, when my heart hath 'scaped this sorrow, Come in the rearward of a conquered woe; Give not a windy night a rainy morrow, To linger out a purposed overthrow.
Sayfa 276 - twas wondrous pitiful : She wish'd she had not heard it ; yet she wish'd That Heaven had made her such a man : she thank'd me ; And bade me, if I had a friend that loved her, I should but teach him how to tell my story, And that would woo her.
Sayfa 375 - These our actors, As I foretold you, were all spirits and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this unsubstantial pageant faded, Leave not a rack behind.