William Shakespeare: A Study in Elizabethan LiteratureC. Scribner's Sons, 1894 - 439 sayfa |
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Sayfa 54
... final culture as can separate good from bad , cleaving only to what is best , is the fruit of prolonged critical earnest- ness . What these poems of Shakspere , and the others of their kind , first evince , then , is a state of culture ...
... final culture as can separate good from bad , cleaving only to what is best , is the fruit of prolonged critical earnest- ness . What these poems of Shakspere , and the others of their kind , first evince , then , is a state of culture ...
Sayfa 56
... final . - In deciding that the poems of Shakspere show him to be chiefly an enthusiastic , careful maker of phrases , and so incidentally of aphorisms , we declare him to have been , in temper and in method , Elizabethan ; we do not ...
... final . - In deciding that the poems of Shakspere show him to be chiefly an enthusiastic , careful maker of phrases , and so incidentally of aphorisms , we declare him to have been , in temper and in method , Elizabethan ; we do not ...
Sayfa 85
... final form , it at once exemplifies and burlesques the literary fashions and affectations of its day , is astonish- ing . The deliberate euphuism of Armado , 1 the son- neteering of the King and his courtiers , 2 the pedantry of the ...
... final form , it at once exemplifies and burlesques the literary fashions and affectations of its day , is astonish- ing . The deliberate euphuism of Armado , 1 the son- neteering of the King and his courtiers , 2 the pedantry of the ...
Sayfa 94
... final episode of Launce and his dog . They are not only true to life ; the observation , the temper , they imply has a distinct character of its own , a character which anybody 1 I. ii . 8 IV . iv . 113 seq . 5 II . iii .; IV . iv ...
... final episode of Launce and his dog . They are not only true to life ; the observation , the temper , they imply has a distinct character of its own , a character which anybody 1 I. ii . 8 IV . iv . 113 seq . 5 II . iii .; IV . iv ...
Sayfa 110
... final scene of the fairies is not a part of the action , but an epilogue , a convention frequent in the Elizabethan theatre . The fairy scenes , then , the accessories by means of which the main plot is made artistically plausible ...
... final scene of the fairies is not a part of the action , but an epilogue , a convention frequent in the Elizabethan theatre . The fairy scenes , then , the accessories by means of which the main plot is made artistically plausible ...
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Sık kullanılan terimler ve kelime öbekleri
actual alike Antony and Cleopatra artistic audience character chiefly chronicle-history clearly Comedy of Errors comic conception conjecturally considered constantly conventional Coriolanus creative imagination critics Cymbeline dramatic effect Elizabethan English Literature example express fact Falstaff feel final folio Gentlemen of Verona glance Hamlet Henry human Iago impulse Julius Cæsar King John King Lear less lines Love's Labour's Lost lyric Macbeth Marlowe masterly matter Measure for Measure Merchant of Venice Merry Wives Midsummer Night's Dream modern mood motive never Othello palpable passages passion pere perhaps Pericles personages phrase plausible plot poems popular probably proved published quarto Richard Richard III romantic Romeo and Juliet scene seems sense Shaks Shakspere Shakspere's plays Sonnets speech spontaneous stage story style sure Tempest theatre theatrical things thou thought throughout Timon tion Titus Andronicus tragedy tragic trait Troilus and Cressida Twelfth Night whoever Winter's Tale words writing
Popüler pasajlar
Sayfa 312 - Set you down this ; And say besides, that in Aleppo once, Where a malignant and a turban'd Turk Beat a Venetian and traduced the state, I took by the throat the circumcised dog, And smote him, thus.
Sayfa 312 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Sayfa 267 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die: to sleep...
Sayfa 233 - O, none, unless this miracle have might, That in black ink my love may still shine bright.
Sayfa 283 - Demand me nothing ; what you know, you know : From this time forth I never will speak word.
Sayfa 346 - Come not to me again : but say to Athens, Timon hath made his everlasting mansion Upon the beached verge of the salt flood ; Who once a day with his embossed froth The turbulent surge shall cover : thither come, And let my grave-stone be your oracle.
Sayfa 51 - THE love I dedicate to your Lordship is without end; whereof this pamphlet, without beginning, is but a superfluous moiety. The warrant I have of your honourable disposition, not the worth of my untutored lines, makes it assured of acceptance.
Sayfa 235 - Then hate me when thou wilt; if ever, now; Now, while the world is bent my deeds to cross, Join with the spite of fortune, make me bow, And do not drop in for an after-loss. Ah, do not, when my heart hath 'scaped this sorrow, Come in the rearward of a conquered woe; Give not a windy night a rainy morrow, To linger out a purposed overthrow.
Sayfa 276 - twas wondrous pitiful : She wish'd she had not heard it ; yet she wish'd That Heaven had made her such a man : she thank'd me ; And bade me, if I had a friend that loved her, I should but teach him how to tell my story, And that would woo her.
Sayfa 375 - These our actors, As I foretold you, were all spirits and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this unsubstantial pageant faded, Leave not a rack behind.