William Shakespeare: A Study in Elizabethan LiteratureC. Scribner's Sons, 1894 - 439 sayfa |
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Sayfa 2
... period of the Elizabethan drama , much of it to the most intensely vital , some of it to the decline . This fact alone - that in a remarkably typical school of art he is the most comprehensively typical figure - would make him worth ...
... period of the Elizabethan drama , much of it to the most intensely vital , some of it to the decline . This fact alone - that in a remarkably typical school of art he is the most comprehensively typical figure - would make him worth ...
Sayfa 18
... us something . Throughout the period of his professional prosperity he was demonstrably strengthening his position as a local personage at Stratford ; and the chances seem to be that he came thither in person 18 WILLIAM SHAKSPERE.
... us something . Throughout the period of his professional prosperity he was demonstrably strengthening his position as a local personage at Stratford ; and the chances seem to be that he came thither in person 18 WILLIAM SHAKSPERE.
Sayfa 24
... period , we may assume to be limited to twenty - five years , the last sixteen of the reign of Elizabeth and the first nine of the reign of James I. The state of our dramatic lit- erature during this period , and to a great degree that ...
... period , we may assume to be limited to twenty - five years , the last sixteen of the reign of Elizabeth and the first nine of the reign of James I. The state of our dramatic lit- erature during this period , and to a great degree that ...
Sayfa 29
... period to which it ap- pealed , we must make ourselves somehow feel its charm . In the case of Euphues this is not an easy task : actually to feel its charm is almost impossible . To appreciate wherein its old charm lay , however , is ...
... period to which it ap- pealed , we must make ourselves somehow feel its charm . In the case of Euphues this is not an easy task : actually to feel its charm is almost impossible . To appreciate wherein its old charm lay , however , is ...
Sayfa 33
... spectators ; and whatever the period of the play they were performing , clas- sical , medieval , or contemporary , they always wore — —— gorgeous clothes of recent fashion , perhaps discarded court finery 3 THE THEATRE UNTIL 1587 33.
... spectators ; and whatever the period of the play they were performing , clas- sical , medieval , or contemporary , they always wore — —— gorgeous clothes of recent fashion , perhaps discarded court finery 3 THE THEATRE UNTIL 1587 33.
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Sık kullanılan terimler ve kelime öbekleri
actual alike Antony and Cleopatra artistic audience character chiefly chronicle-history clearly Comedy of Errors comic conception conjecturally considered constantly conventional Coriolanus creative imagination critics Cymbeline dramatic effect Elizabethan English Literature example express fact Falstaff feel final folio Gentlemen of Verona glance Hamlet Henry human Iago impulse Julius Cæsar King John King Lear less lines Love's Labour's Lost lyric Macbeth Marlowe masterly matter Measure for Measure Merchant of Venice Merry Wives Midsummer Night's Dream modern mood motive never Othello palpable passages passion pere perhaps Pericles personages phrase plausible plot poems popular probably proved published quarto Richard Richard III romantic Romeo and Juliet scene seems sense Shaks Shakspere Shakspere's plays Sonnets speech spontaneous stage story style sure Tempest theatre theatrical things thou thought throughout Timon tion Titus Andronicus tragedy tragic trait Troilus and Cressida Twelfth Night whoever Winter's Tale words writing
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Sayfa 312 - Set you down this ; And say besides, that in Aleppo once, Where a malignant and a turban'd Turk Beat a Venetian and traduced the state, I took by the throat the circumcised dog, And smote him, thus.
Sayfa 312 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Sayfa 267 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die: to sleep...
Sayfa 233 - O, none, unless this miracle have might, That in black ink my love may still shine bright.
Sayfa 283 - Demand me nothing ; what you know, you know : From this time forth I never will speak word.
Sayfa 346 - Come not to me again : but say to Athens, Timon hath made his everlasting mansion Upon the beached verge of the salt flood ; Who once a day with his embossed froth The turbulent surge shall cover : thither come, And let my grave-stone be your oracle.
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Sayfa 235 - Then hate me when thou wilt; if ever, now; Now, while the world is bent my deeds to cross, Join with the spite of fortune, make me bow, And do not drop in for an after-loss. Ah, do not, when my heart hath 'scaped this sorrow, Come in the rearward of a conquered woe; Give not a windy night a rainy morrow, To linger out a purposed overthrow.
Sayfa 276 - twas wondrous pitiful : She wish'd she had not heard it ; yet she wish'd That Heaven had made her such a man : she thank'd me ; And bade me, if I had a friend that loved her, I should but teach him how to tell my story, And that would woo her.
Sayfa 375 - These our actors, As I foretold you, were all spirits and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this unsubstantial pageant faded, Leave not a rack behind.