Tasso and Milton: The Problem of Christian EpicBucknell University Press, 1983 - 181 sayfa When the Christian poets of the Renaissance turned toward the poetic works of Classical antiquity, the greatest achievements that they encountered were the epics of Virgil and Homer. But in their desire to emulate the ancient masters they confronted the problem of creating a recognizable epic narrative. Focusing on Tasso's La Gerusalemme liberata and on Milton's better-known Paradise Lost, Professor Kates subtly analyzes the manner in which these works resolve the conflict of pagan and Christian values. |
İçindekiler
Preface | 9 |
Discorsi dellarte poeticaA Primer for | 50 |
The Revaluation of | 66 |
Telif Hakkı | |
5 diğer bölüm gösterilmiyor
Sık kullanılan terimler ve kelime öbekleri
achieve Aeneid aesthetic ancient epic appears Argante argues Ariosto Aristotelian Aristotle Armida Armida's garden associations audience battle beauty Bernardo Tasso C. S. Lewis Canto characters chivalric Christian Cintio classical epic classical heroic Clorinda coherence conflict contemporary context creates critical Crusade culture defense Discorsi divine dream elements embody epic and romance epic poetry episodes essential evil expression F. T. Prince Faerie Queene figurative genre Gerusalemme liberata Goffredo hero heroic poem heroic poetry heroic tradition heroism human idea ideal imagery imagination imitation insists invocation Italian La Gerusalemme liberata language literal literary literature means metaphor Milton Minturno models narrative narrator nature Oxford pagan Paradise Lost pleasure plot poem's poet poet's poetic readers Renaissance response reveals Rinaldo scene Scipione Gonzaga sense sensual Solimano Spenser spiritual stanza structure subject matter Tancredi temptation theme tion Torquato Tasso tragedy tragic Trissino truth unity variety verisimilitude virtù vision warriors