Shakespeare's Rhetoric of Comic CharacterRoutledge, 11 Eki 2013 - 168 sayfa First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. |
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Sayfa 5
... debate may be when independently considered , to understand their larger effect in creating lifelike characters we must examine these materials within the coherent structure and shape of a given plot . The rhetorical features of ...
... debate may be when independently considered , to understand their larger effect in creating lifelike characters we must examine these materials within the coherent structure and shape of a given plot . The rhetorical features of ...
Sayfa 15
... debate such topics as ' should a man marry ? ' . Most important for a young playwright , perhaps , was the exercise of impersonation or ethopoeia . Aphthonius divides this exercise into three categories , ethopoeia proper , in which the ...
... debate such topics as ' should a man marry ? ' . Most important for a young playwright , perhaps , was the exercise of impersonation or ethopoeia . Aphthonius divides this exercise into three categories , ethopoeia proper , in which the ...
Sayfa 16
... debate , and inevitably of poetry , for both law and poetry are concerned with illusion , with mimesis . By creating in the mind of the auditor the verisimilar , the life - like rather than the real , the jurist convinces his audience ...
... debate , and inevitably of poetry , for both law and poetry are concerned with illusion , with mimesis . By creating in the mind of the auditor the verisimilar , the life - like rather than the real , the jurist convinces his audience ...
Sayfa 17
... debate : sitne , whether or not a given act was committed or situation obtains ; quid sit , the definition of the act once admitted ; and quale sit , the character or quality of the act once admitted and defined . Once the facts of a ...
... debate : sitne , whether or not a given act was committed or situation obtains ; quid sit , the definition of the act once admitted ; and quale sit , the character or quality of the act once admitted and defined . Once the facts of a ...
Sayfa 18
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İçindekiler
1 | |
11 | |
Comic plot conventions in Measure for Measure | 20 |
Menander and New Comedy | 30 |
Plautus and Terence | 40 |
The enchantments of Circe | 57 |
As You Like It and Twelfth Night | 94 |
Mistaking in Much | 109 |
Shakespeares rhetoric of consciousness | 121 |
Notes | 129 |
Index of plays discussed | 149 |
General index viii X XI 1 ឆ៩៩ 20 30 42 57 | 151 |
149 | 152 |
Diğer baskılar - Tümünü görüntüle
Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Sınırlı önizleme - 2005 |
Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Metin Parçacığı görünümü - 1985 |
Sık kullanılan terimler ve kelime öbekleri
action Angelo Antipholus argues asks audience becomes behavior believes brother calls character characterization claim classical Claudio comedy comic common complex conventions creating critics death debate describes desire dialogue discovers discovery discussion disguise dramatic dream Drusilla Duke earlier early edition Elizabethan emphasize English Errors example experience father feelings figure final follows forms function Hero imagined important individual inner interesting Isabella Italian Italy language later leads lifelike lines linguistic London look lovers Lucrezio marriage means Measure for Measure Menander mind mistaken identity nature never Night noted person Plautus play plot points preceding present problem Pseudolus psychological questions readers recognized references relation Renaissance represent response rhetoric rhetoric of consciousness role romance Rosalind scene sense Shakespeare simply soliloquy speaks speech structure suggests takes Terence theme thou tradition tragedy Twelfth types understand wonder