Shakespeare's Rhetoric of Comic CharacterRoutledge, 11 Eki 2013 - 168 sayfa First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. |
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13 sonuçtan 1-5 arası sonuçlar
Sayfa 2
... linguistic categories of syntax and paradigm are superimposed on a text or group of texts , and characters are defined in relation to this overall structure . So , for example , Todorov describes characters in terms of ' predications ...
... linguistic categories of syntax and paradigm are superimposed on a text or group of texts , and characters are defined in relation to this overall structure . So , for example , Todorov describes characters in terms of ' predications ...
Sayfa 4
... linguistic features which class them with dialogue - in other words , they present a mind in conflict with itself by ... Linguists note as most important pronominal contrasts of ' I ' and ' you ' , questions , temporal markers and verb ...
... linguistic features which class them with dialogue - in other words , they present a mind in conflict with itself by ... Linguists note as most important pronominal contrasts of ' I ' and ' you ' , questions , temporal markers and verb ...
Sayfa 11
... linguistic correlatives in lexical oppositions , logical jumps and other phenomena which sometimes make an audience perceive associative rather than logical movement and structure . Referential instability of pronouns is an obvious form ...
... linguistic correlatives in lexical oppositions , logical jumps and other phenomena which sometimes make an audience perceive associative rather than logical movement and structure . Referential instability of pronouns is an obvious form ...
Sayfa 12
... linguist Jan Mukařovský suggests that ' we require of [ a linguistic expression ] something which is alien to the very essence and purpose of language , namely , that a sensorily perceptible linguistic symbol , the vehicle of linguistic ...
... linguist Jan Mukařovský suggests that ' we require of [ a linguistic expression ] something which is alien to the very essence and purpose of language , namely , that a sensorily perceptible linguistic symbol , the vehicle of linguistic ...
Sayfa 14
... linguistics provides a vocabulary for analyzing Angelo's soliloquy and recognizing its affinities with dialogue , the student of literature inevitably asks how such strategies for representing mental life became available to an ...
... linguistics provides a vocabulary for analyzing Angelo's soliloquy and recognizing its affinities with dialogue , the student of literature inevitably asks how such strategies for representing mental life became available to an ...
İçindekiler
1 | |
11 | |
Comic plot conventions in Measure for Measure | 20 |
Menander and New Comedy | 30 |
Plautus and Terence | 40 |
The enchantments of Circe | 57 |
As You Like It and Twelfth Night | 94 |
Mistaking in Much | 109 |
Shakespeares rhetoric of consciousness | 121 |
Notes | 129 |
Index of plays discussed | 149 |
General index viii X XI 1 ឆ៩៩ 20 30 42 57 | 151 |
149 | 152 |
Diğer baskılar - Tümünü görüntüle
Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Sınırlı önizleme - 2005 |
Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Metin Parçacığı görünümü - 1985 |
Sık kullanılan terimler ve kelime öbekleri
action Angelo Antipholus argues asks audience becomes behavior believes brother calls character characterization claim classical Claudio comedy comic common complex conventions creating critics death debate describes desire dialogue discovers discovery discussion disguise dramatic dream Drusilla Duke earlier early edition Elizabethan emphasize English Errors example experience father feelings figure final follows forms function Hero imagined important individual inner interesting Isabella Italian Italy language later leads lifelike lines linguistic London look lovers Lucrezio marriage means Measure for Measure Menander mind mistaken identity nature never Night noted person Plautus play plot points preceding present problem Pseudolus psychological questions readers recognized references relation Renaissance represent response rhetoric rhetoric of consciousness role romance Rosalind scene sense Shakespeare simply soliloquy speaks speech structure suggests takes Terence theme thou tradition tragedy Twelfth types understand wonder