The North American Review, 124. ciltJared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge O. Everett, 1877 Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930. |
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Sayfa 52
... leaves without condescending to gratify that natural curiosity in readers which she has labored so successfully to excite . EDWIN P. WHIPPLE . ART . III . RICHARD WAGNER'S THEORIES OF MUSIC . 52 [ Jan. Daniel Deronda .
... leaves without condescending to gratify that natural curiosity in readers which she has labored so successfully to excite . EDWIN P. WHIPPLE . ART . III . RICHARD WAGNER'S THEORIES OF MUSIC . 52 [ Jan. Daniel Deronda .
Sayfa 53
... WAGNER'S THEORIES OF MUSIC . * ― THE whole apparatus of æsthetics may be divided into two parts , one of which is knowable , controllable , and therefore per- fectible , while the other is transcendent , dependent on the co- operation ...
... WAGNER'S THEORIES OF MUSIC . * ― THE whole apparatus of æsthetics may be divided into two parts , one of which is knowable , controllable , and therefore per- fectible , while the other is transcendent , dependent on the co- operation ...
Sayfa 54
... instrument and technical means of expression . But that even in these most primitive forms of utterance music must have had great power over the human soul , is clearly shown by the fact that 54 [ Jan. Wagner's Theories of Music .
... instrument and technical means of expression . But that even in these most primitive forms of utterance music must have had great power over the human soul , is clearly shown by the fact that 54 [ Jan. Wagner's Theories of Music .
Sayfa 55
... prin- ciple implies that all the notes of a melody must be considered as referring to , and dependent on , a common centre which is their keynote , and which , in token of its dominion 1877. ] 55 Wagner's Theories of Music .
... prin- ciple implies that all the notes of a melody must be considered as referring to , and dependent on , a common centre which is their keynote , and which , in token of its dominion 1877. ] 55 Wagner's Theories of Music .
Sayfa 56
... Wagner , and as to the countless imitators of Beethoven , Wagner thinks that they know how to compose respec- table quartettes , but that their individualities are far too small to fill the mighty moulds they have inherited from their ...
... Wagner , and as to the countless imitators of Beethoven , Wagner thinks that they know how to compose respec- table quartettes , but that their individualities are far too small to fill the mighty moulds they have inherited from their ...
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æsthetic American artists better called century character Christian civil Congress Constantinople Constitution CXXIV Daniel Deronda debt Deronda Descartes discovery doubt election electoral votes England English Europe existence exploration expression fact force French G. P. Putnam's Sons genius George Eliot give Goethe gold Gondokoro Harriet Martineau House human hundred idea influence interest labor lake less life-insurance living Mahometan Martineau matter means ment mind Mirah modern moral Mussulmans natural selection nature never Nile Nyanza opinion painting party philosophy poems poet poetry Poland political popular present President question race reader reason reform regard religion religious Russian seems sense silver Slav soul Speke Spinoza spoils system story theory things thought tion truth Turk Turkey Turkish volume Wagner whole words write York
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