Auditorium Acoustics and Architectural Design

Ön Kapak
Routledge, 28 Eyl 2009 - 504 sayfa

Modern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. With new contemporary case-studies, this updated book explores these characteristics as an important resource for architects, engineers and auditorium technicians.

Supported by over 40 detailed case studies and architectural drawings of 75 auditoria at a scale of 1:500, the survey of each auditorium type is completed with a discussion of current best practice to achieve optimum acoustics.

 

İçindekiler

1 Introduction
1
2 Sound and rooms
10
3 Acoustics for the symphony concert hall
38
4 The development of the concert hall
75
5 British concert halls and conclusions for concert hall acoustics
128
6 Chamber music and recital halls
230
7 Acoustics for speech
258
8 Theatre acoustics
276
11 Multipurpose halls in Britain
410
12 The art and science of acoustics
451
Sound reflection and reverberation calculation
457
Objective measures for music auditoria
461
Further objective results in concert halls
467
Objective measures for speech auditoria
471
Name index
476
Subject index
481

9 Acoustics for opera
333
10 Acoustics for multipurpose use
385

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Yazar hakkında (2009)

Michael Barron was a Senior Lecturer for 21 years at the University of Bath Department of Architecture and Civil Engineering and Partner of Fleming & Barron acoustic consultants. He has been involved over many years in acoustic consultancy and research, of which a key project was an Acoustic Survey of British Auditoria. In 2006 he received the Rayleigh medal, the premier award of the (British) Institute of Acoustics.

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