about pictures and of acceptations of critical authority, of sectarian belief and of worldly toleration, together with a certain immaturity of literary judgment and a characteristic tendency to incoherence. "Turner," he says, "did a great work, if it were only to have been the occasion of Ruskin's marvellous eloquence"; and of Dr. Cumming he writes, as if transcribing literally from his note-book: "His voice is rich and mellow without being powerful. He is a tall man, with high, white forehead and white hair. It was difficult to find a seat, even upon the pulpit stairs. Dr. Cumming, as a graceful, yet not effeminate preacher, has good claims to his celebrity."

It remains for us to praise the author's conscientious effort at all times to convey information, and his success in this effort. He has doubtless seen everything that is worth seeing in the country he has passed over; and if we cannot accept the whole of his book as literature, we have still the impression that we should find it one of the best and thoroughest of hand-books for travel in Old England.

enabling it to do this seems to be found too feeble, or affected, or grotesque. For anything more, the inarticulate tones of music are as adequate to devotion as the sublimest formula that Milton or Dante could have shaped. It is only since religion has been so much philosophized, and has in so great degree ceased to be a passion, that we have begun to find the hymns which our forefathers sang with rapturous unconsciousness rather rubbishy literature. How blank, and void of all inspiration, they seem for the most part to be! Good men wrote them, but evidently in seasons of great mental depression. How commonplace is the language, how strained are the fancies, how weak the thoughts! Yet through these stops of lead and wood, the music of charity, love, repentance, aspiration, has poured from millions of humble hearts in sweetness that blessed and praised.

With no thought probably of affecting the standard hymnology were the hymns written in the little book before us. They are characterized by poetic purity of diction as well as tenderness of sentiment. They express, without freshness of intuition, the emotions and desires of a devoutly religious nature; and they commend themselves, like some of the best and earliest Christian hymns, by their realization of the Divine essence as something to be directly approached with filial and personal affection. Here is no burst of fervid devotion, but rather a quiet love, breathing contrition, faith, and praise in poems of gentle earnestness, which even the reader not imbued with the element of their inspiration may find graceful and pleasing.

CHAPTER XXI.

MADNESS?

R. CLEMENT LINDSAY re

MR.

turned to the city and his usual labors in a state of strange mental agitation. He had received an impression for which he was unprepared. He had seen for the second time a young girl whom, for the peace of his own mind, and for the happiness of others, he should never again have looked upon until Time had taught their young hearts the lesson which all hearts must learn, sooner or later.

What shall the unfortunate person do who has met with one of those disappointments, or been betrayed into one of those positions, which do violence to all the tenderest feelings, blighting the happiness of youth, and the prospects of after years?

If the person is a young man, he has various resources. He can take to the philosophic meerschaum, and nicotize himself at brief intervals into a kind of buzzing and blurry insensibility, until he begins to "color" at last like the bowl of his own pipe, and even his mind gets the tobacco flavor. Or he

can have recourse to the more suggestive stimulants, which will dress his future up for him in shining possibilities that glitter like Masonic regalia, until the morning light and the waking headache reveal his illusion. Some kind of spiritual anesthetic he must have, if he holds his grief fast tied to his heart-strings. But as grief must be fed with thought, or starve to death, it is the best plan to keep the mind so busy in other ways that it has no time to attend to the wants of that ravening passion. To sit down and passively endure it, is apt to end in putting all the mental machinery into disorder.

Clement Lindsay had thought that his battle of life was already fought, and that he had conquered. He believed that he had subdued himself completely, and that he was ready, without betraying a shadow of disappointment, to take the insufficient nature which destiny had assigned him in his companion, and share with it all of his own larger being it was capable, not of comprehending, but of apprehending.

He had deceived himself. The battle was not fought and won.

There

had been a struggle, and what seemed to be a victory, but the enemy - intrenched in the very citadel of life — had rallied, and would make another desperate attempt to retrieve his defeat. The haste with which the young man had quitted the village was only a proof that he felt his danger. He believed that, if he came into the presence of Myrtle Hazard for the third time, he should be no longer master of his feelings. Some explanation must take place between them, and how was it possible that it should be without emotion? and in what do all emotions shared by a young man with such a young girl as this tend to find their last expression?

Clement determined to stun his sensibilities by work. He would give himself no leisure to indulge in idle dreams of what might have been. His plans were never so carefully finished, and his studies were never so continuous as now. But the passion still wrought within him, and, if he drove it from his waking thoughts, haunted his sleep until he could endure it no longer, and must give it some manifestation. He had covered up the bust of Liberty so closely, that not an outline betrayed itself through the heavy folds of drapery in which it was wrapped. His thoughts recurred to his unfinished marble, as offering the one mode in which he could find a silent outlet to the feelings and thoughts which it was torture to keep imprisoned in his soul. The cold stone would tell them, but without passion; and having got the image which possessed him out of himself into a lifeless form, it seemed as if he might be delivered from a presence which, lovely as it was, stood between him and all that made him seem honorable and worthy to himself.

He uncovered the bust which he had but half shaped, and struck the first flake from the glittering marble. The toil, once begun, fascinated him strangely, and after the day's work was done, and at every interval he could snatch from his duties, he wrought at his secret task.

"Clement is graver than ever," the young men said at the office. "What's the matter, do you suppose? Turned off by the girl they say he means to marry by and by? How pale he looks too! Must have something worrying him: he used to look as fresh as a clove pink."

The master with whom he studied saw that he was losing color, and looking very much worn, and determined to find out, if he could, whether he was not overworking himself. He soon discovered that his light was seen burning late into the night, that he was neglecting his natural rest, and always busy with some unknown task, not called for in his routine of duty or legitimate study.

"Something is wearing on you, Clement," he said. "You are killing yourself with undertaking too much. Will you let me know what keeps you so busy when you ought to be asleep, or taking your ease and comfort in some way or other?"

Nobody but himself had ever seen his marble or its model. He had now almost finished it, laboring at it with such sleepless devotion, and he was willing to let his master have a sight of his first effort of the kind, for he was not a sculptor, it must be remembered, though he had modelled in clay, not without some success, from time to time.

"Come with me," he said.

The master climbed the stairs with him up to his modest chamber. A closely shrouded bust stood on its pedestal in the light of the solitary window.

"That is my ideal personage,” Clement said. "Wait one moment, and you shall see how far I have caught the character of our uncrowned queen."

The master expected, very naturally, to see the conventional young woman with classical wreath or feather headdress, whom we have placed upon our smallest coin, so that our children may all grow up loving Liberty.

As Clement withdrew the drapery that covered his work, the master

stared at it in amazement. He looked at it long and earnestly, and at length turned his eyes, a little moistened by some feeling which thus betrayed itself, upon his pupil.

"This is no ideal, Clement. It is the portrait of a very young but very beautiful woman. No common feeling could have guided your hand in shaping such a portrait from memory. This must be that friend of yours of whom I have often heard as an amiable young person. Pardon me, for you know that nobody cares more for you than I do, -I hope that you are happy in all your relations with this young friend of yours. How could one be otherwise?"

It was hard to bear, very hard. He forced a smile. "You are partly right," he said. "There is a resemblance, I trust, to a living person, for I had one in my mind."

"Didn't you tell me once, Clement, that you were attempting a bust of Innocence? I do not see any block in your room but this. Is that done?"

"Done with!" Clement answered; and as he said it, the thought stung through him that this was the very stone which was to have worn the pleasant blandness of pretty Susan's guileless countenance. How the new features had effaced the recollection of the others!

In a few days more Clement had finished his bust. His hours were again vacant to his thick-coming fancies. While he had been busy with his marble, his hands had required his attention, and he must think closely of every detail upon which he was at work. But at length his task was done, and he could contemplate what he had made of it. It was a triumph for one so little exercised in sculpture. The master had told him so, and his own eye could not deceive him. He might never succeed in any repetition of his effort, but this once he most certainly had succeeded. He could not disguise from himself the source of this extraordinary good fortune in so doubtful and difficult an attempt. Nor could he resist the desire of contemplating the

portrait bust, which — it was foolish to talk about ideals was not Liberty, but Myrtle Hazard.

It was too nearly like the story of the ancient sculptor: his own work was an over-match for its artist. Clement had made a mistake in supposing that by giving his dream a material form he should drive it from the possession of his mind. The image in which he had fixed his recollection of its original served only to keep her living presence before him. He thought of her as she clasped her arms around him, and they were swallowed up in the rushing waters, coming so near to passing into the unknown world together. He thought

of her as he stretched her lifeless form upon the bank, and looked for one brief moment on her unsunned loveliness,

"a sight to dream of, not to tell." He thought of her as his last fleeting glimpse had shown her, beautiful, not with the blossomy prettiness that passes away with the spring sunshine, but with a rich vitality of which noble outlines and winning expression were only the natural accidents. And that singular impression which the sight of him had produced upon her,—how strange! How could she but have listened to him, to him, who was, as it were, a second creator to her, for he had brought her back from the gates of the unseen realm, if he had recalled to her the dread moments they had passed in each other's arms, with death, not love, in all their thoughts. And if then he had told her how her image had remained with him, how it had colored all his visions, and mingled with all his conceptions, would not those dark eyes have melted as they were turned upon him? Nay, how could he keep the thought away, that she would not have been insensible to his passion, if he could have suffered its flame to kindle in his heart? Did it not seem as if Death had spared them for Love, and that Love should lead them together through life's long journey to the gates of Death?

Never! never! never! Their fates were fixed. For him, poor insect as he

was, a solitary flight by day, and a return at evening to his wingless mate! For her he thought he saw her doom.

Could he give her up to the cold embraces of that passionless egotist, who, as he perceived plainly enough, was casting his shining net all around her? Clement read Murray Bradshaw correctly. He could not perhaps have spread his character out in set words, as we must do for him, for it takes a long apprenticeship to learn to describe analytically what we know as soon as we see it; but he felt in his inner consciousness all that we must tell for him. Fascinating, agreeable, artful, knowing, capable of winning a woman infinitely above himself, incapable of understanding her, O, if he could but touch him with the angel's spear, and bid him take his true shape before her whom he was gradually enveloping in the silken meshes of his subtle web! He would make a place for her in the world, O yes, doubtless. He would be proud of her in company, would dress her handsomely, and show her off in the best lights. But from the very hour that he felt his power over her firmly established, he would begin to remodel her after his own worldly pattern. He would dismantle her of her womanly ideals, and give her in their place his table of market-values. He would teach her to submit her sensibilities to her selfish interest, and her tastes to the fashion of the moment, no matter which world or half-world it came from. "As the husband is, the wife is," he would subdue her to what he worked in.

All this Clement saw, as in apocalyptic vision, stored up for the wife of Murray Bradshaw, if he read him rightly, as he felt sure he did, from the few times he had seen him. He would be rich by and by, very probably. He looked like one of those young men who are sharp and hard enough to come to fortune. Then she would have to take her place in the great social exhibition where the gilded cages are daily opened that the animals may

be seen, feeding on the sight of stereotyped toilets and the sound of impoverished tattle. O misery of semiprovincial fashionable life, where wealth is at its wit's end to avoid being tired of an existence which has all the labor of keeping up appearances, without the piquant profligacy which saves it at least from being utterly vapid! How many fashionable women at the end of a long season would be ready to welcome heaven itself as a relief from the desperate monotony of dressing, dawdling, and driving!

He

This could not go on so forever. Clement had placed a red curtain so as to throw a rose-bloom on his marble, and give it an aspect which his fancy turned to the semblance of life. would sit and look at the features his own hand had so faithfully wrought, until it seemed as if the lips moved, sometimes as if they were smiling, sometimes as if they were ready to speak to him. His companions began to whisper strange things of him in the studio, that his eye was getting an unnatural light, that he talked as if to imaginary listeners, — in short, that there was a look as if something were going wrong with his brain, which it might be feared would spoil his fine intelligence. It was the undecided battle, and the enemy, as in his noblest moments he had considered the growing passion, was getting the better of him.

He was sitting one afternoon before the fatal bust which had smiled and whispered away his peace, when the postman brought him a letter. It was from the simple girl to whom he had given his promise. We know how she used to prattle in her harmless way about her innocent feelings, and the trifling matters that were going on in her little village world. But now she wrote in sadness. Something, she did not too clearly explain what, had grieved her, and she gave free expression to her feelings. "I have no one that loves me but you," she said; "and if you leave me I must droop and die.