Auditorium Acoustics and Architectural DesignTaylor & Francis, 1993 - 443 sayfa As performance art forms have developed over the centuries, so too have the specialized buildings for housing them. Functionally and acoustically, the special properties of a particular room type enhance the quality of a performance, raising artistic and production standards. Modern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. Michael Barron explores these characteristics in this work. |
İçindekiler
Introduction | 1 |
Sound and rooms | 9 |
2 | 18 |
7 | 24 |
Acoustics for the symphony concert hall | 35 |
The development of the concert hall | 65 |
9 | 95 |
11 | 104 |
Chamber music and recital halls | 195 |
Acoustics for speech | 223 |
Theatre acoustics | 241 |
59 | 295 |
Acoustics for opera | 297 |
Acoustics for multipurpose use | 339 |
63 | 342 |
65 | 353 |
13 | 112 |
Twelve British concert halls and concert hall acoustics | 115 |
18 | 138 |
24 | 146 |
31 | 155 |
3333 | 161 |
42 | 170 |
50 | 179 |
553 | 185 |
Multipurpose halls in Britain | 361 |
The art and science of acoustics | 403 |
Appendix A Sound reflection and reverberation calculation | 411 |
| 414 | |
Further objective results in concert halls | 421 |
70 | 426 |
Name index | 431 |
Sık kullanılan terimler ve kelime öbekleri
30 metres Figure absorbent Acoustic consultant acoustic design actor Architects architectural Assisted Resonance audience auditoria auditorium volume Bagenal balcony overhangs Barbican Barbican Concert Hall bass behaviour Beranek boxes Buxton Opera House Centre Coliseum concert hall Covent Garden Cremer Crucible Theatre diffusing direct sound early decay early energy fraction early reflection ratio early sound echo effect Fairfield Hall floor flytower gallery impulse response intimacy late sound level dB listeners London long section loud major mid-frequency multi-purpose objective characteristics Objective envelopment objective measures orchestra panels performance plan form predicted Preferred range problem proscenium opening proscenium theatre Queen Elizabeth Hall rear reasons rectangular reflected sound reflector rever reverberation Royal Albert Hall Royal Festival Hall seating area seconds sense of reverberation side walls sightlines singers space speech intelligibility St David's Hall Stalls subjective suspended ceiling tion total sound level values Wessex Hall width Zero Objective