 A Painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint...  Contributions to the Literature of the Fine Arts - Sayfa 58Sir Charles Lock Eastlake tarafından - 1870 - 401 sayfaTam görünüm - Bu kitap hakkında
 | 1772 - 684 sayfa
...fentence to utter, but one moment to exhibit. He cannot, like a poet or hiftorian, expatiate and imprcfs the mind with great veneration for the character of the hero or faint he reprefents, though he lets us know at the fame time that the faint was deformed, and the hero... | |
 | Ralph Griffiths, George Edward Griffiths - 1772 - 628 sayfa
...fentence to utter, but one moment t» exhibit. He cannot, like a poet or hiftorian, expatiate and ioiprefs the mind with great veneration for the character of the hero or faint he reprefents, though he lets us know at the fame time that the faint was deformed, and the hero... | |
 | R. Griffiths - 1772 - 632 sayfa
...fentence to utter, but one moment toexhibit. He cannot, like a poet or hiftorian, expatiate and imprtfs the mind with great veneration for the character of the hero or faint he reprefents, though he lets us know at the fame time that the faint was deformed, and the hero... | |
 | Edmund Burke - 1773 - 590 sayfa
...to utter, but one moment to exhibit, and cannot, fike the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the character of the hero or faint he reprefents, though at the fame time he lets us know, that the faint was deformed, or the hero... | |
 | Sir Joshua Reynolds - 1778 - 360 sayfa
...chara&er of the hero or faint he reprefents, though he lets us know at the fame time, that the faint was deformed, or the hero lame. The Painter has no...that external appearance which grandeur of thought does generally, though not always, imprefs on the countenance; and by that correfpondence of figure... | |
 | Sir Joshua Reynolds - 1778 - 346 sayfa
...to utter, but one moment to exhibit. He cannot, like the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the character of the hero or faint he reprefents, though he lets us know at the fame time, that the laint was deformed, or the hero... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 sayfa
...compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate,...that external appearance which grandeur of thought does generally, though not always, impress on the countenance; and by that correspondence of figure... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 430 sayfa
...the natural deficiencies of his art. He has but one senjeace to utter, but one mbrnent to exhibit.. He cannot, like the poet or historian, expatiate,...great veneration for the character of the hero or sajnt he represents, though he lets us know at the same time, that the saint was deformed, or the hero... | |
 | 1809 - 574 sayfa
...to utter, but one moment to exhibit, and cannot, like the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the character of the hero or faint he reprefents, though at the fame time he lets ш know, that ,the faint was deformed, or the... | |
 | Aristotle, Thomas Twining - 1812 - 386 sayfa
...figures, — as large as life, &c. Dacier's " visoit a la perfection" is nothing to the purpose. f " The painter has no other ,means of giving an " idea...that external " appearance which grandeur of thought does generally, " though not always, impress on the countenance; and .« by that correspondence of... | |
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