The Art of the Sublime: Principles of Christian Art and ArchitectureAshgate Publishing, Ltd., 1 Oca 2006 - 213 sayfa In the view of Hegel and others, pagan art is the art of the beautiful and Christian art is the art of the sublime. Roger Homan provides a comprehensive and informative account of the course of Christian art, encompassing a re-evaluation of conventional aesthetics and its application to religious art. Homan argues that taste and aesthetics are fashioned by morality and belief, and that Christian art must be assessed not in terms of its place in the history of art but of its place in Christian faith. The narrative basis of Christian art is documented but religious art is also explored as the expression of the devout and as an element in the trappings of collective expression and personal quest. Sections in the book explore pilgrimage art, puritan art, the tension of Gothic and Classical, church architecture and the language of worship. Current areas of debate, including the relationship of ethics to the appreciation of art, are also discussed. |
İçindekiler
The Beautiful and the Holy | 15 |
The Fear of God | 31 |
Gothic | 49 |
Puritan Aesthetics | 77 |
Spirit and Conscience | 109 |
Morality and Christian Art | 135 |
Conclusion | 163 |
Bibliography | 175 |
Glossary | 185 |
Works of art cited | 191 |
Buildings and artefacts of interest | 199 |
| 205 | |
Diğer baskılar - Tümünü görüntüle
The Art of the Sublime: Principles of Christian Art and Architecture Roger Homan Sınırlı önizleme - 2017 |
Sık kullanılan terimler ve kelime öbekleri
Abbey aesthetic altar altarpiece Anglo-Catholic architect art and architecture Art Gallery artist baroque beauty Birmingham Byzantine Cathedral celebrated Celtic chapel Chapter Christ Christian art Christian faith ciborium Cistercian classical Cluniac colour Comper contemporary context conveyed Cross Crucifixion decoration devotional divine early Ecclesiologists effect England English Eric Gill example expression Eyck favoured Florence font Ford Madox Brown Fra Angelico fresco George Edmund Street Gothic Revival Holy human icon images interior Jesus John Joseph Southall London Madonna meeting houses moral Museum National Gallery nineteenth century Ninian Comper ornament painter painting plain portraits prayer Pre-Raphaelite principles Pugin pulpit Puritan Quaker religious art Roman Catholic Romanesque Rome Ruskin sacrament sacred art saints San Vitale Scrovegni Chapel sculpture sense Shaker significant Southall Southall's spiritual St Mary St Paul's stained glass Street style survive symbol taste Tate Gallery theme theological tradition Vasari Virgin visual walls Westminster Cathedral worship Wren
