Fascist Modernities: Italy, 1922-1945

Ön Kapak
University of California Press, 2 Oca 2001 - 327 sayfa
Ruth Ben-Ghiat's innovative cultural history of Mussolini's dictatorship is a provocative discussion of the meanings of modernity in interwar Italy. Eloquent, pathbreaking, and deft in its use of a broad range of materials, this work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the contemporary European crisis as well as long-standing problems of the national past. Ben-Ghiat shows that—at a time of fears over the erosion of national and social identities—Mussolini presented fascism as a movement that would allow economic development without harm to social boundaries and national traditions. She demonstrates that although the regime largely failed in its attempts to remake Italians as paragons of a distinctly fascist model of mass society, twenty years of fascism did alter the landscape of Italian cultural life. Among younger intellectuals in particular, the dictatorship left a legacy of practices and attitudes that often continued under different political rubrics after 1945.

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Popüler pasajlar

Sayfa 255 - Burocrazia e politica culturale nello stato fascista: II Ministero della cultura popolare, in «Storia contemporanea», I, 1970, n.
Sayfa 261 - G. TURI, Ruolo e destino degli intellettuali nella politica razziale del fascismo...
Sayfa 219 - Barbara Spackman, Fascist Virilities: Rhetoric, Ideology and Social Fantasy in Italy (Minneapolis: University of Minnesota Press, 1996).
Sayfa 263 - Vito Zagarrio, Giovani e apparati culturali a Firenze nella crisi del regime fascista...
Sayfa 25 - ... isms" of the modern intellectual movement. Around them a whole bastard world, equivocal and parasitic, takes shape, a world...

Yazar hakkında (2001)

Ruth Ben-Ghiat is Associate Professor of Italian Studies and History at New York University.

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