Historicism, Psychoanalysis, and Early Modern CultureCarla Mazzio, Douglas Trevor Routledge, 28 Eki 2013 - 440 sayfa First published in 2000. Did people in early modern Europe have a concept of an inner self? Carla Mazzio and Douglas Trevor have brought together an outstanding group of literary, cultural, and history scholars to answer this intriguing question. Through a synthesis of historicism and psychoanalytic criticism, the contributors explore the complicated, nuanced, and often surprising union of history and subjectivity in Europe centuries before psychoanalytic theory. Addressing such topics as "fetishes and Renaissances," "the cartographic unconscious," and "the topographic imaginary," these essays move beyond the strict boundaries of historicism and psychoanalysis to carve out new histories of interiority in early modern Europe. |
İçindekiler
7 | |
20 | |
Dreams of Field | 36 |
Toward a Topographic Imaginary | 59 |
To Please the Wiser Sort | 82 |
Abel Druggers Sign and the Fetishes of ΠΙΟ | 110 |
Erotic Islands | 136 |
The Melancholy of Print | 186 |
The Anus in Coriolanus | 260 |
Breaking the Mirror Stage | 272 |
The Inside Story | 299 |
Sorcery and Subjectivity in Early Modern | 325 |
Weeping for Hecuba | 350 |
SecondBest Bed | 376 |
Contributors | 397 |
IO George Herbert and the Scene of Writing | 228 |
Diğer baskılar - Tümünü görüntüle
Historicism, Psychoanalysis, and Early Modern Culture Carla Mazzio,Douglas Trevor Sınırlı önizleme - 2013 |
Historicism, Psychoanalysis, and Early Modern Culture Carla Mazzio,Douglas Trevor Sınırlı önizleme - 2000 |
Sık kullanılan terimler ve kelime öbekleri
analysis appears argues become believe body called Cambridge century character Chicago claims commonplace context critical culture death described desire discourse dreams early modern edition Elizabethan emergent England English essay example fact fantasy father female fetish figure Freud Hamlet hand heart human identity imagined individual interior John kind king Lacan land language less letters lines London Lost male marked Marxism material means nature notes object once Paris particular performance perhaps period person philosophy play poem political position practice printed produced psychoanalysis question reading recent reference relation Renaissance represents rhetoric scene seems seen sense sexual Shakespeare skepticism social sonnet space speak speech stage structure Studies suggests textual theory things thought tion trans turn University Press violence voice witchcraft women writing York