Romance Notes, 39. ciltDepartment of Romance Languages, University of North Carolina, 1998 |
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22 sonuçtan 1-3 arası sonuçlar
Sayfa 38
... voice will thus permit the speaking subject to combat the silencing history of colonization , to replace the commemorative monuments , cartography , and writing ( " stele [ s ] , " " chemins , " " tablette " ) of the colonizers ...
... voice will thus permit the speaking subject to combat the silencing history of colonization , to replace the commemorative monuments , cartography , and writing ( " stele [ s ] , " " chemins , " " tablette " ) of the colonizers ...
Sayfa 42
... voice : to speak is to act , and to mark , and to create . In subjectively inflecting language , the je creates an identity for the self and defines its others in its very act of enunciation . This discursive act challenges the ...
... voice : to speak is to act , and to mark , and to create . In subjectively inflecting language , the je creates an identity for the self and defines its others in its very act of enunciation . This discursive act challenges the ...
Sayfa 43
the dialogue that his first - person voice implies , by listening to the voices of others who have been silenced : " J'entends de la cale monter les malé- dictions enchaînées " ( 62 ) . He thus marks the I as a dialogic participant in a ...
the dialogue that his first - person voice implies , by listening to the voices of others who have been silenced : " J'entends de la cale monter les malé- dictions enchaînées " ( 62 ) . He thus marks the I as a dialogic participant in a ...
İçindekiler
A note on Galdós Ortega Munilla and La desheredada | 3 |
La connexión judíoárabe inesperada | 9 |
Le passé entre parenthèses | 15 |
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